> Re: digitaly correcting color photos

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Using color negative films for commercial resale, quality mandates that you
pro-rate the film speed by one stop (expose at half the iso rated by the
film manufacturer) and push process by at least two stops.

>From that you get a nice 'meaty' negative and using standard color print
methods can get a print of substantial print quality.

S. Shapiro
----- Original Message -----
From: "kostas papakotas" <kostaspapakotas@hotmail.com>
To: "List for Photo/Imaging Educators - Professionals - Students"
<photoforum@ase-listmail.rit.edu>
Sent: Sunday, June 16, 2002 10:53 AM
Subject: digitaly correcting color photos


> well things are still not getting any better with my concert photography
> efforts, so i do have to ask for your help.
>
> first i have a question to ask...what is the reason i'm getting grainy,
> grayed (underexposed ? )shots. one possibility could be that the light is
> not enough anyway, but i still get photos like that even at shutter speeds
> of 1/30 or faster. another possibility is the TTL meter screwing up in the
> concerts' low light situations.for those reasons i usually overexpose 1
> stop.
> yet i heve been told that the real reason is that the meter reads a
> basically black scene, and sets the exposure to bring that black frame to
> 18% gray.
>
> a good example would be the my latest session, found at:
>
http://groups.msn.com/clenchedteethphotography/longliveconcertphotos.msnw?Pa
ge=1
> all these color photos were corrected by tinkering with the brightness and
> contrast of the frames to get an almost black background, and occasionaly
> with increasing the contrast of the dominant color, or by decreasing the
> color (just a slight hue actually ) of the background.
>
> actually my ability to digitally manipulate a frame is to scan a print and
> then use the Windows PhtoEditor (no Photoshop available).
>
> So i need better tips coming from you, on how to effectively improve such
> photos.
>
> thjanx all beforehand, kostas
>
>
>
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