Jimmy,
The problem with your solution starts with price. Negatives and
prints cost more to produce and then you have to throw in some more time and
money for slides. Filtering effectiverly reduces your depth of field in this
circumstance. Long exposures run into reciprocity failure.
Roy
In a message dated 6/7/02 7:57:13 PM Eastern Daylight Time,
Photogonow@aol.com writes:
<< FORGET the Flash - DO Not use Slide Film!!!!!
Buy, rent, borrow or steal the biggest pair of rolling 'Photo Floods' You
can
find. Use Professional color print film -matched to their Kelvin
Temperature
(or filter daylight film to 32-3400 K). Shoot a gray card with color scale
on
each roll of film. Use a tripod and have Your subjects pose, but move
around
with a second camera (fast lens) and try for some candid angles. Fuji 800
?
Shoot all the film You can in the time You have.
If You Can't get access to Photo Floods - (make Your own) - approach would
still be the same. Use 'Color Negative Film' filtered for the lighting
conditions and professionally printed with color corrections. A slide can be
made from a color negative (& looks better) -just takes alil longer- depends
on Your Customer deadline.
Present each exhibitor with a group of color print 'photo proofs' to find
out
which one(s) they would like for You to -make into a Slide- for their
application.
Then - CHARGE EM DOUBLE-!
jIMMY >>
