| This one seems to be on topic:
Klaus
On Jan 5, 2014, at 8:57 AM, Trevor Cunningham < trevor@xxxxxxxxxxxxxxxx> wrote: I caught this television program that puts philanthropic-minded celebrities face-to-face with extreme poverty and poor HDMI measures in other countries. One that stood out was a hip-hop artist named Mos Def who went to the "City of God" in Brazil and his reaction was along the lines of how similar it still is in many impoverished urban and rural areas in the US. On 1/5/14 12:31 AM, Jan Faul wrote:
Because too many wannabe American photographers travel to countries with brown-skinned people to shoot stories when there is a lot to work with here in the US. This has been a criticism of your work in the past, and yet here it is again. I have been under the impression that Roy Stryker’s FSA photographers during the great Depression from 1935-44 inspired photographers a generation later to go forth and shoot social realism and anti-poverty images. I think the FSA inspired street photographers like Lee Friedlander, Robert Frank, Diane Arbus, Bruce Davidson, and others when they discovered that our supposedly ordinary lives were anything but. There is a lot to work with here and a lot could be done to show mainstream Americans that not all that much has changed between the 1930s and right now.
Why do I think photographers like you do this? Because there are fewer rights to privacy in Honduras and anywhere south of the Rio Grande, than there are in Oklahoma or say Indiana. It is more exciting to go to a foreign country than it is to drive to a location a few states away and work with Americans to show that life here can be as brutal as life in Central America. Very few photographers have gone to great lengths to honor the people of a host country by shooting striking images which bring a host country’s troubles to our attention.
I know you are a dedicated photographer and I also know you do not have to shoot brown-skinned kids to make your point. Poverty (no matter where ) will never be eradicated and most especially not here in the US where the streets are supposedly paved with gold.
Jan
On Jan 4, 2014, at 3:41 PM, Tina Manley wrote:
Why?
Tina
On Sat, Jan 4, 2014 at 1:46 PM, Jan Faul <jan@xxxxxxxxxxx <mailto:jan@xxxxxxxxxxx>> wrote:
This shot would have been much more powerful if the location was
Arkansas or Oklahoma or other US state.
On Jan 4, 2014, at 1:41 PM, Randy Little wrote:
tina there is probably not much you could have done its a great
shot. but that decapitated pig (having lived and worked in
similar place) makes me think that pig is decapitated and dead.
Also it looks like you have done some dodging on the faces
maybe? The blacks look lifted a touch and seem odd. Is that a
lens flare or retouched faces?
Randy S. Little
http://www.rslittle.com/
http://www.imdb.com/name/nm2325729/
On Sat, Jan 4, 2014 at 1:03 PM, Andrew Davidhazy <andpph@xxxxxxx
<mailto:andpph@xxxxxxx>> wrote:
Happy New Year!
The PhotoForum members' gallery/exhibit space was updated
JAN 04, 2014. Authors with work now on display at:
http://people.rit.edu/andpph/gallery.html include:
Gregory david Stempel - Street Lamps
Bob McCulloch - Boats
Dan Mitchell - Android
Tina Manley - Children with Pig, 2002
John Palcewski - Hand
Yoram Gelman - Veranda in Decay
Christopher Strevens - The way.
Art Faul -
Randy Little -
NOTICE: There is a new series exhibition in Gallery-10.
Photographs by Randy Little on Children of Beijing. See it
at http://people.rit.edu/andpph/gallery-10/index.html
Last week the counter read 10340 and when this collection
was installed the counter read 10440
Enqueued for future installation: none - contributions welcome!
To participate in this activity find instructions at:
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Send your contributions early and anything you can do to
prepare the photographs so they do not require additional
adjustment would be much appreciated. Especially keeping
them near 1000 pix in longest dimension and 200Kb in maximum
size. Large images that run off the edges of average
monitors are a pain. Larger is not always better!
Please take an extra minute to abide by this request but if
you have doubts about how to prepare images just send them
anyway and the capable gallery staff will adjust them for
exhibition.
Did you know you could have a series exhibition? Learn all
about it on the instructions page mentioned above.
From: Allie
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Art Faul
The Artist Formerly Known as Prints
------
Art for Cars: art4carz.com <http://art4carz.com/>
Stills That Move: http://www.artfaul.com <http://www.artfaul.com/>
Greens: http://www.inkjetprince.com <http://www.inkjetprince.com/>
Camera Works - The Washington Post
http://www.washingtonpost.com/wp-srv/photo/battlefieldparks/front_qt.htm
ArtNet: http://www.artnet.com/artists/jan+w.-faul/
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--
Tina Manley
http:// <http://tina-manley.artistwebsites.com/>www.tinamanley.com <http://www.tinamanley.com/>
Art Faul
The Artist Formerly Known as Prints
------
Art for Cars: art4carz.com <http://art4carz.com>
Stills That Move: http://www.artfaul.com
Greens: http://www.inkjetprince.com
Camera Works - The Washington Post
http://www.washingtonpost.com/wp-srv/photo/battlefieldparks/front_qt.htm
ArtNet: http://www.artnet.com/artists/jan+w.-faul/
.
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