Re: Photoforum 26th April

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Gretings from Norfolk UK

Thanks for the comments
Yes, on looking again it woul improve the picture with a crop of the right
hand side - probably two thirds of the way from the edge to the far side of
the bridge.

Richard.
richard_wrigley@xxxxxxxxxxxxx

"I have yet to see any problem, however complicated, which when looked at in
the right way, did not become still more complicated"
Poul Anderson


----- Original Message -----
From: "howard" <home@xxxxxxxxxxxxxxxxx>
To: "List for Photo/Imaging Educators - Professionals - Students"
<photoforum@xxxxxxxxxxxxxxxxxxxxxx>
Sent: Saturday, April 30, 2005 11:19 AM
Subject: RE: Photoforum 26th April


> I always seem so busy that comments about lack of comments made me feel
> very guilty. So...belatedly here's my twopennorth
>
> Mark Harris
> Very nicely lit and pictured, though I was puzzled by the term
> "Christmas Cactus". My understanding of a Christmas Cactus is the
> Schlumbergera - see
> http://www.flowers.org.uk/plants/plantfacts/christmas-cactus.htm
>
> Peeter Vissak
> Trees are an excellent source, of course,of unusual images for
> photographers. But this is particularly scary, especially in view of the
> temporal context. Good textures contribute enormously to these - well
done.
>
> Leslie Spurlock
> A nicely imaged, contextural portrait. However I always have some
> concerns about such ethnic portraits, under the guise of exploitation.
> I'm not implying that of you, Leslie, but the subject arose at a work
> course I attended at Tate Modern London. there the context was of
> Richard Billingham's book "Ray's A Laugh" in which he published
> photographs of his highly dysfunctional family. Am I being too sensitive?
>
>
> Emily Ferguson
> Well photographed - but the significance as a photograph was really lost
> on me, I'm afraid. Sorry! The text helped to both partially explain the
> image and hence put it into context, but even so I could not feel any
> rapport with it. Fine in a newspaper report to those who know the people
> and context?
>
>
> Magaret Lucas
> One of a fascinating series of photographs... You really have a got an
> obsession there - and justifably so! I particularly like the way in
> which, in your Pbase series, you've integrated text into the images to
> underline the points you wanted to make. However I do wonder whether the
> one in the Forum is sufficiently strong, compared to some of the others?
>
> Veli Cigirgan
> Nice one - but rather them than me!
>
> Pini Vollach
> A charming composition.
>
> Richard Wrigley
> You captured the storm well. I wonder, however, if a crop (either by a
> physical movement at the time, if it had been practical, or during
> manipulation) to remove some of the right hand side might have
> strengthened the composition even more?
>
> Bob Talbot
> No - the title is right. Cherry blossom is always cheering as spring
> takes over!
>
> Jeff Spirer
> Such a nice social comment, an amusing juxtaposition which works very
well!
>
> Steve Shapiro
> I found this quite an enigmatic photograph. I couldn't work out why the
> title, except as a literal description of the function of the ramshackle
> building. It certainly would not have filled me with confidence...
>
> Andrew Davidhazy
> A neat social comment and superbly caught! There are several layers of
> meaning here, both with the somewhat over-weight viewers and the bizarre
> male torso they're discussing. Looks like excellent material for a
> student discussion on critical analysis.
>
> Howard
>
>
>
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>
>



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