The way I do it is with the equipment I buy...I shoot with a Canon 10D and use both the 550 and the smaller 420 EZ flash series. These flashes are created to work flawlessly (well, almost always flawlessly) with the camera. I put the flash on, set my asa, set my aperature and set my shutter speed on the camera then fire away...the flash gives the correct output to light the scene without blowing things out. It really is amazing technology. Lea ----- Original Message ----- From: "John Mason" <profmason@xxxxxxxxx> To: "List for Photo/Imaging Educators - Professionals - Students" <photoforum@xxxxxxxxxxxxxxxxxxxxxx> Sent: Monday, October 11, 2004 10:11 PM Subject: Re: Flash Compensation > k, I much appreciate your detailed and considered > response, but frankly I don't want to think that hard. > > Let me put the question this way... How do PJs and > event shooters get natural looking fill flash with > their auto everything SLR's and speedlights, while > working quickly? > > I know--I know for sure--that they aren't thinking > hard about flash compensation, but I've seen the > results and they're (very often) pretty damn natural > looking. > > --John > > > > ===== > J Mason > Charlottesville, Virginia > >>New! Democracy of Speed, a Photo Documentary Project: > http://www.people.virginia.edu/~ds8s/john-m/john-m.html > > > > _______________________________ > Do you Yahoo!? > Declare Yourself - Register online to vote today! > http://vote.yahoo.com > >
