The SuperCCD on the Fuji Finepix cameras uses a different physical layout for the CCD array, which requires it to 'process' the raw images (to fill in the missing lines in the honeycomb-layout of the SuperCCD). Even if you were to set the camera to a lower resolution (say the native 6MP of the S2 Pro), it would _still_ 'process' the image to 12MP and then back down again... (don't ask)... It's not a marketing trick; it's part of that array's design. That said, I've used and worked with S1s, S2s and D1s at work, and the Fuji are markedly better in terms of colour, resolution and all even compared to the D1. Even at the same settings (within the abilities of the D1 or D30), the results are better... markedly. I'm not saying Fuji are innocent of it, but I think they are guilty of a marketing blunder than trying to simply mislead customers... look at the bright side... where's Foveon? Deen On 2002-10-15, 08:37:00 you wrote: > >The most stupid of all (Was it a Fuji camera) was where the makers >claimed thier CCD was "better" than other CCD designs so upsampled >from the number of pixels giving really bloated files - but it made >those that had mentally linked file-size to quality think they were >getting a better result. > > > >In your RGB scans, if the drum scanner scans truly in RG and B, you >may have been given more info than had they "desatted" for you first. >You get to choose how you combine the channels. > > >Bob
