Fwd: Are photographers really a threat?

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--- In ObservationCar@xxxxxxxxxxxxxxx, Michael Ross Valentine 
<michael@...> wrote:

This was in today's Guardian- and is a good read, interesting  
analogy- enjoy
-MRV

Are photographers really a threat?
Bruce Schneier
The Guardian, Thursday June 5 2008
		
What is it with photographers these days? Are they really all  
terrorists, or does everyone just think they are?
Since 9/11, there has been an increasing war on photography.  
Photographers have been harrassed, questioned, detained, arrested 
or  
worse, and declared to be unwelcome. We've been repeatedly told to  
watch out for photographers, especially suspicious ones. Clearly 
any  
terrorist is going to first photograph his target, so vigilance is  
required.

Except that it's nonsense. The 9/11 terrorists didn't photograph  
anything. Nor did the London transport bombers, the Madrid subway  
bombers, or the liquid bombers arrested in 2006. Timothy McVeigh  
didn't photograph the Oklahoma City Federal Building. The Unabomber  
didn't photograph anything; neither did shoe-bomber Richard Reid.  
Photographs aren't being found amongst the papers of Palestinian  
suicide bombers. The IRA wasn't known for its photography. Even 
those  
manufactured terrorist plots that the US government likes to talk  
about -- the Ft. Dix terrorists, the JFK airport bombers, the Miami  
7, the Lackawanna 6 -- no photography.

Given that real terrorists, and even wannabe terrorists, don't seem  
to photograph anything, why is it such pervasive conventional 
wisdom  
that terrorists photograph their targets? Why are our fears so 
great  
that we have no choice but to be suspicious of any photographer?

Because it's a movie-plot threat.

A movie-plot threat is a specific threat, vivid in our minds like 
the  
plot of a movie. You remember them from the months after the 9/11  
attacks: anthrax spread from crop dusters, a contaminated milk  
supply, terrorist scuba divers armed with almanacs. Our 
imaginations  
run wild with detailed and specific threats, from the news, and 
from  
actual movies and television shows. These movie plots resonate in 
our  
minds and in the minds of others we talk to. And many of us get 
scared.

Terrorists taking pictures is a quintessential detail in any good  
movie. Of course it makes sense that terrorists will take pictures 
of  
their targets. They have to do reconnaissance, don't they? We need 
45  
minutes of television action before the actual terrorist attack -- 
90  
minutes if it's a movie -- and a photography scene is just perfect.  
It's our movie-plot terrorists that are photographers, even if the  
real-world ones are not.

The problem with movie-plot security is it only works if we guess 
the  
plot correctly. If we spend a zillion dollars defending Wimbledon 
and  
terrorists blow up a different sporting event, that's money wasted.  
If we post guards all over the Underground and terrorists bomb a  
crowded shopping area, that's also a waste. If we teach everyone to  
be alert for photographers, and terrorists don't take photographs,  
we've wasted money and effort, and taught people to fear something  
they shouldn't.

And even if terrorists did photograph their targets, the math 
doesn't  
make sense. Billions of photographs are taken by honest people 
every  
year, 50 billion by amateurs alone in the US And the national  
monuments you imagine terrorists taking photographs of are the same  
ones tourists like to take pictures of. If you see someone taking 
one  
of those photographs, the odds are infinitesimal that he's a 
terrorist.

Of course, it's far easier to explain the problem than it is to fix  
it. Because we're a species of storytellers, we find movie-plot  
threats uniquely compelling. A single vivid scenario will do more 
to  
convince people that photographers might be terrorists than all the  
data I can muster to demonstrate that they're not.

Fear aside, there aren't many legal restrictions on what you can  
photograph from a public place that's already in public view. If  
you're harassed, it's almost certainly a law enforcement official,  
public or private, acting way beyond his authority. There's nothing  
in any post-9/11 law that restricts your right to photograph.

This is worth fighting. Search "photographer rights" on Google and  
download one of the several wallet documents that can help you if 
you  
get harassed; I found one for the UK, US, and Australia. Don't cede  
your right to photograph in public. Don't propagate the terrorist  
photographer story. Remind them that prohibiting photography was  
something we used to ridicule about the USSR. Eventually sanity 
will  
be restored, but it may take a while.

[Non-text portions of this message have been removed]

--- End forwarded message ---

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