On 9/16/2015 15:14, Randy Little wrote:
We literally delivered this at about the last possible minute to make to
the trucks for the broadcast this past monday.
https://www.youtube.com/watch?t=2&v=i48I55CQ6Hc
That's running it right down to the wire! There *are* still a few hard
deadlines in the world :-) .
Hey, can you point me to *useful* information explaining the various
video color scope displays for somebody with a background in still
photography? Too much info I find is heavily rooted in analog video,
and while I used that some in highschool and college, I never worked
with the fancy scopes then, so it's new territory -- and I'm suspecting
some of the old-style things aren't very useful today (the vector
scopes, in particular, seem to be primarily useful for calibrating
analog to target patches, which is not something I'm dealing with now).
Working with Adobe Premiere Pro now, using the new Lumetri scopes and
adjustments mostly. (Just finished editing and doing color, such as it
is, on a 2+ hour concert video that should be released, cross your
fingers, next month. Sound people are still working, and there's some
trivia like titles and credits going on, and we're a small team of
part-time amateurs. Somebody put it on IMDB already, though, it's Cats
Laughing: A Long Time Gone.)
--
David Dyer-Bennet, dd-b@xxxxxxxx; http://dd-b.net/
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