At 8:26 AM +0800 8/27/13, karl shah-jenner wrote:
just like the E6 shooting days ;)
Well that was his argument, but he was shooting under all possible conditions from the streets of Brasiliera to the farms of Alaska. He also took "advantage" of all those non-pro settings like Night, Backlight, Cloudy etc. to create a starting point for the bias he wanted for each shot.
He had spent most of his life shooting E6, something which I struggled with for 10 years.
Too much forethought for my style. Which film? Which exposure compensation? Polarizer or no? So OK, now which camera body, or do we need to rewind and hunt down the correct film in the bag? Find correct film, get camera on tripod, attach desired lens, choose correction filters, chase down someone to hold up reflectors, frame and focus.
Finally, half an hour later, the butterfly is gone and the shot with it. Fergetit. I'll shoot RAW any day, thanks. -- Emily L. Ferguson mailto:elf@xxxxxxxxxxxxxxxxxx 508-563-6822 New England landscapes, wooden boats and races http://www.landsedgephoto.com HOT OFF THE PRESS! SAILING SEPIA IMAGES VOL II: http://www.lulu.com/spotlight/elfpix Check out my Spring daily photograph project at: http://tinyurl.com/3a6m7g6 And Summer: http://tinyurl.com/22juo5s Autumn now complete here: http://tinyurl.com/26pdgz9 Winter concluded here: http://tinyurl.com/2co5wkg
