re http://www.rit.edu/~andpph/gallery.html : : Robert G. Earnest - This is product photography at its finest, nice Robert :) : Jim Snarski - Art Nouveau Love the crane flies, unfortunately they're fragile and I see so many dancing around our yard missing the odd leg, I tend to avoid photographing them and capturing their disabilities for all to see. There are a few photos in the collection though of the rare perfect beast :) I think I'd like to see more of this particular subject, or possibly less, in this composition - the wings as sharp as they are but the body less distinct. : Per Ofverbeck - An iris? A bit dim in the center of the subject for my tastes but the composition is interesting. The delicate highlight to the right captures my eye : Rene M Hales - Chimayo Courtyard Lensbabies are fun :) While I'm a fan of muted tones I find this a bit too muted in that the contrast is a little too flat : Linda Buttstead I love the sentiment you expressed, and it's something I try to convey to students - photos mean different things to different people and for many they are memory triggers. If this triggered a memory for you then it's a *perfect* photo : Herschel Mair - Yellow spot Not a fan of yellow spots.. nor leaves, but the road is impressive! : Russ Baker - Criticism - the shadow on the left side of the face (his left, our right).. I really feel that for this to follow the classic theatre style the keylight needs to be swung just a leetle bit further one way or another.. either darken that side of the face (leave the eye lit though!) or head more toward butterfly lighting. : Emily L. Ferguson - MIT That's a pretty building! : Bob Sull - Vacation Home - Needs Work That's an ugly building.. : Howard Leigh - Mixed Tandoori Not sure how you managed to cross the curves, but this strong magenta cast when cleared heads green in the highlights while leaving magenta in the shadows. Manual white balance might have fixed this - and given the table cloth was white, and the plate was white, you had enough their to get you started. Overall gallery impressions - not a lot of sharp this time around, certainly room for improvement. I tend to see more out-of-the-camera shots that are sharper than this lot (exceptions present of course) but for those twiddling post-shoot, look a little more at the sharpening algorithms you're using or the method of sharpening and see if you can't try to get things a little snappier k
