My understanding and use of photography is somewhat
different than many on this list but I'd still be interested
in (automagically) uploading new 12hr-images to an email
address or ftp site. Let me know please.
12hr-pretext follows:
_ |__ __| | /_ |__ \| | | __| | | | (_) | | __/ (__|
|_ __ | | | | | | __/ | |/ /_| | | | | _ | | | '_ \ / _ \ | | /
/| '_ \| '__|
The 12hr-ISBN-JPEG Project >>>> posted since 1994 <<<< _ | | |
'_ \ / _ \ | | / /| '_ \| '__| -_ | | | |__ ___ | | ) | |__
_ __
You begin to sense the byshadows that stretch from the awe of
global dominance. How the intersecting systems help pull us
apart, leaving us vague, drained, docile, soft in our inner
discourse, willing to be shaped, to be overwhelmed -- easy
retreats, half beliefs. Works of art are complex formal
interventions within discursive traditions and their myriad
filiations. These interventions are defined precisely by
their incomparable capacity to trace the dynamics of
historical process in paradoxical gestures of simultaneously
prognostic and mnemonic temporalities.
_ | __ \ (_) | | _| |__) | __ ___ _ ___ ___| |_
|_ ___/ '__/ _ \| |/ _ \/ __| __| |_| _ |_| \___/| |\___|\___|\__|
_ _/ | _ |__/
> > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994.
A `round-the-clock posting of sequenced hypermodern imagery from
{ brad brace }. The hypermodern minimizes the familiar, the known,
the recognizable; it suspends identity, relations and history. This
discourse, far from determining the locus in which it speaks, is
avoiding the ground on which it could find support. It is trying to
operate a decentering that leaves no privilege to any center.
The 12-hour ISBN JPEG Project
-----------------------------
since 1994
Pointless Hypermodern Imagery... posted/mailed every 12 hours... a
spectral, trajective alignment for the 00`s! A continuum of
minimalist masks in the face of catastrophe; conjuring up
transformative metaphors for the everyday... A poetic reversibility
of exclusive events...
A post-rhetorical, continuous, apparently random sequence of
imagery... genuine gritty, greyscale... corruptable, compact,
collectable and compelling convergence. The voluptuousness of the
grey imminence: the art of making the other disappear. Continual
visual impact; an optical drumming, sculpted in duration, on the
endless present of the Net.
An extension of the printed ISBN-Book (0-9690745) series...
critically unassimilable... imagery is gradually acquired, selected
and re-sequenced over time... ineluctable, vertiginous connections.
The 12hr dialtone...
[ see http://www.eskimo.com/~bbrace/netcom/books.txt ]
KEYWORDS: >> Disconnected, disjunctive, distended, de-centered,
de-composed, ambiguous, augmented, ambilavent, homogeneous,
reckless and venerable... >> Multi-faceted miscegnation: oblique,
obsessive, obscure, obdurate... >> Promulgated, personal, permeable,
prolonged, polymorphous, provocative, poetic, plural, perverse,
potent, prophetic, pathological, pointless... >> Emergent, empty,
evolving, eccentric, eclectic, egregious, exciting, entertaining,
evasive, entropic, erotic, entrancing, enduring, expansive...
Every 12 hours, another!... view them, re-post `em, save `em, trade
`em, print `em, even publish them...
Here`s how:
~ Set www-links to -> http://www.eskimo.com/~bbrace/12hr.html
-> http://bbrace.laughingsquid.net/12hr.html
-> http://bbrace.net/12hr.html
-> http://noemata.net/12hr/
~
Download from -> ftp.rdrop.com /pub/users/bbrace
Download from -> ftp.eskimo.com /u/b/bbrace
Download from -> hotline://artlyin.ftr.va.com.au
Download from -> ftp://bjornmag:Sobject@xxxxxxxx/12hr/
** Look for the 12-hr-icon. Heavy traffic may require you to specify
files more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
Remember to set tenex or binary. Get 12hr.jpeg
~
E-mail -> If you only have access to email, then you can use
FTPmail to do essentially the same thing. Send a message with a body
of 'help' to the server address nearest you:
ftpmail@xxxxxxxxxx ftpmail@xxxxxxxxxxxxx
ftpmail@xxxxxxxxxxxxxxxxxxxx ftpmail@xxxxxxxxxxxxxxxxx
ftpmail@xxxxxxxxx ftpmail@xxxxxxxxxxxxxxxx
ftpmail@xxxxxxxxxxxxxxx ftpmail@xxxxxxxxxxxxx
ftpmail@xxxxxxxxxxxx ftpmail@xxxxxxxxxxx ftpmail@xxxxxxxxxxxxxxx
ftpmail@xxxxxxxxxxxxxxx ftpmail@xxxxxxxxxxxxxxx
ftpmail@xxxxxxxxxxxxxx ftpmail@xxxxxxxxxx bitftp@xxxxxxxxxxxxx
bitftp@xxxxxxxxxxxx bitftp@xxxxxxxxx bitftp@xxxxxxxxxxxxx
bitftp@xxxxxxxxxxxxxxxxxx bitftp@xxxxxxxxxxx
**
~ Mirror-sites requested! Archives too! The latest new jpeg will
always be named, 12hr.jpeg Average size of images is only 45K.
~ Perl program to mirror ftp-sites/sub-directories:
src.doc.ic.ac.uk/packages/mirror
~ Postings to usenet newsgroups: alt.12hr alt.binaries.pictures.12hr
alt.binaries.pictures.misc alt.binaries.pictures.fine-art.misc
* * Ask your system's news-administrator to carry these groups!
(There are also usenet image browsers: TIFNY, PluckIt, Picture Agent,
PictureView, Extractor97, NewsRover, Binary News Assistant, EasyNews)
~ ~ This interminable, relentless sequence of posted imagery began
in earnest on December 30, 1994. The basic structure of the
project has been over three decades in the making. Each 12-hour
posting is like the turning of a page; providing ample time for
reflection, interruption, and assimilation.
~ The sites listed above also contain information on other cultural
projects and sources.
~ A very low-volume, moderated mailing list for announcements and
occasional commentary related to this project has been established at
topica.com /subscribe 12hr-isbn-jpeg
--
The image was to make nothing visible but their connection with
one another by space and air, yet each surrounded by the unique
aura that disengages every deeply seen image from the world of
irrelevant relationships and calls forth a tremor of astonishment
at its fateful necessity. Thus from artworks of dead masters,
over-life-size strangeness whose names we do not know and do not
wish to know, look out at us enigmatically as symbols of all
being.
--
Big Grey Bricks:
This project also serves as a rehearsal for its culmination as a series of
offset-printed volumes: each 800+ full-bleed pages (5x8"_300lpi), where the
full integrated rhythm of greyscale-sequence can be more intricately
resolved. I'd provide all design, prepress and production.
--
This project has not received government art-subsidies. Some
opportunities still exist for financially assisting the publication
of gallery-editions of large (33x46") prints; perhaps (Iris giclees)
inkjet duotones or extended-black quadtones. Other supporters receive rare
copies of the first three web-offset printed ISBN-Books.
Contributions and requests for 12hr-email-subscriptions, can also be
made at http://bbrace.laughingsquid.net/buy-into.html, or by mailed
cheque/check: $5/mo $50/yr. Institutions must pay for any images
retained longer than 12 hours.
--
ISBN is International Standard Book Number. JPEG and GIF are types of
image files. Get the text-file, 'pictures-faq' to learn how to view
or translate these images. [http://www.eskimo.com/~bbrace/netcom/
pictures-faq.html] Probably best viewed on rare 256-level grayscale
monitors.
--
(c) Credit appreciated. Copyleft
1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006
<bbrace@xxxxxxxxxx>
