Re: Tech vs Image

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I was a member of Group f64 and . . . well, I can't seem to see the question, here.

S. Shapiro, Carmel, CA
----- Original Message ----- From: "Jeff Spirer" <jeff@xxxxxxxxxx>
To: "List for Photo/Imaging Educators - Professionals - Students" <photoforum@xxxxxxxxxxxxxxxxxxxxxx>
Sent: Monday, April 11, 2005 7:41 AM
Subject: Re: Tech vs Image



At 10:36 PM 4/10/2005, David Dyer-Bennet wrote:
Well, ask the F/64 group; they seemed to think it was part of their
vision.

David - That's not what they said. The f64 manifesto is as follows:


The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group.

The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group.

Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group.

Group f/64 limits its members and invitational names to those workers who are striving to define photography as an art form by simple and direct presentation through purely photographic methods. The Group will show no work at any time that does not conform to its standards of pure photography. Pure photography is defined as possessing no qualities of technique, composition or idea, derivative of any other art form. The production of the "Pictorialist," on the other hand, indicates a devotion to principles of art which are directly related to painting and the graphic arts.

The members of Group f/64 believe that photography, as an art form, must develop along lines defined by the actualities and limitations of the photographic medium, and must always remain independent of ideological conventions of art and aesthetics that are reminiscent of a period and culture antedating the growth of the medium itself.

The Group will appreciate information regarding any serious work in photography that has escaped its attention, and is favorable towards establishing itself as a Forum of Modern Photography.

There is nothing about sharpness. There is quite a bit about a view of photography, one that they used sharpness to realize.



Jeff Spirer Photos: http://www.spirer.com One People: http://www.onepeople.com/ Surfaces and Marks: http://www.withoutgrass.com




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