The opposite is needed if you want a print that is recognizable for what you were intending. Begin with the lowest contrast paper or filter you own or can obtain and work your way up the contrast scale to your desired level of contrast. I might even has a packet of Kodak Selectol Soft on hand just In cas your normal developer proves too contrasty with your lowest contrast paper/filter.
In most applications, it is always preferable and easier to start at contrast level lower than your target and then work up to it. Toning it down is more difficult to see.
Use Farmers Reducer to "cut" the negative as Alan suggested only if contrast is still too high.
Peace! Sidney
