Re: Eagle has landed

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>In film school........I fell in LOVE/LUST with the
work of Arthur d'Arsen(sic).......The long time
exposures/perfect focus/and always one trail of light
that 'illuminated' the subject in some unique
way......."If I could put time in a bottle...."

Dad worked at the 'Cape'........I have well over a
hundred different launch photos.......(in 27 yrs) but
the night ones are oh-so special.......In my first
photos I would try to get so close to them that the
intensity of the launch was lost in the overpowering
BRIGHT images.........Until I stepped back from the
site and viewed the launch in TIME and
DISTANCE......did I find some 'poetry' in the
image...............

OK ......off the drugs now and back to your
question.......I KNEW that the launch was going to
trace the path in the sky......but I had never shot
from this location before........The bridge just
kissed the edge of the lake by about 75' and from just
the right spot on the curve and hump of the bridge I
could see Downtown Orlando in the
distance.........Most of the recent launches were
headed for the International Space Station.....which
requires the Shuttle to turn toward the North (photo
Left) and this view would put the curve right over the
lit cityskyline..........

DUH, I did not check WHERE it was headed..... A night
launch and time was all the info I had........This
launch was headed to HUBBLE .........Equatorial
orbit..........The Shuttle heads up and East over the
Atlantic toward Africa.............

I arrived at my pre-selected site with 3-minutes to
spare...........checked my camera regular "100" speed
film and F/16 on 'B'/cable release.....(thin lines for
big enlargements)..........I had the van's radio on TV
station and heard the countdown.........open camera
lens...........And POW......the sky lights up at the
Far right edge/off the edge of my film.........I
quickly closed the shutter moved about 10 feet to my
right and instantly composed the tree in the
frame........I did notice the 'bird' but/just part of
the picture.....straighten the horizon/advance the
film and start the exposure again............(I still
thought it would curve to the left).........

Now I just stand there and watch and in amazement the
light stays in frame and the beautiful reflection
starts to form.......usually near the 90 second mark
just after the peak of the curve I stop the
exposure......this guy just stayed in
frame............because the light is moving only the
smallest speck of the moving light is visible at any
one moment ........in the beginning as it lights up
the sky the reflection is big and bold......later the
only image is the faintest weak star(NO ONE EVER
CASUALLY NOTICES THESE LAUNCHES AT THIS POINT)........
yet it's still recording in the lake and
sky........50' to the eagle.....50 miles to the site
of the launch........2500 miles to the end of the
exposure.....all in the same frame! AND TALK ABOUT
PERSPECTIVE AND IMAGE COMPRESSION..........viewed from
end on that circular orbit sure has a "funny"
shape........

But total SERINDIPITY that the image would be as
dramatic as this..........Remember I started the
camera and then watched what happened before my
eyes/film..........But I knew I had something
special............I even got to do a little "jig"
  

You said:
"...... in Lucy Lippard's book 'Overlay'. The artist,
> Charles Ross, used  a large lens to burn marks into
pieces of paper and wood, making repeated exposures
over periods of months."

Oh God.....I hope I'm not that anal.........Ive always
marveled at the dedication to make those year-long
figue-8 sun/moon photos....? I never saw your ROSS
work before......COOL!


OK>>>>>>>>>here's one from Physics class:

Attach a light to the pedal of a bicycle....and
another to the rim of one tire..........Now pedal the
bike and make a time exposure........No 'freewheeling
allowed'...........change gears and shoot another
frame.........what do they look like?   I love that
one! Waveform/length/amplitude/gear ratios!


Wow way too long..........Later doug

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