Ouch! One response and it had to hide from me in the spam folder!
**** isn’t enough information for me to determine whether they represent the actual performance, or some sort of rehearsal. *****
*****Were there other costumes or any effort to change costume when the time period changed in the script?
it is a dress rehersal..Everything happened like that. *****
Seems we have a loose communications connection. But i could not go further in the details
*****Did you play with depth of field to illustrate relationships between the actors? *****
Yes in some, where applicable
*****Did you also take photographs of the faces? *****
No... Seems like I should, but I had not the nerve and the lens did not help (I was chasing them around wiht a 19-35 lens
***** Did you try to use any long exposures to illustrate how people got from the alcoves onto the floor? *****
No...but movement was swift. In fact they were running at times. I do not think anything presentable could be gotten.
In general, this is the director's style. Utilizing the space/surroundings and fitting the play into them. With lots of movement and choreography. (he started his career in a partnership with a top dancer/choreographer).
if anyone cares the whole play is in YT
https://www.youtube.com/watch?v=Xb8ffHAbz74
thanks Emily!
**** isn’t enough information for me to determine whether they represent the actual performance, or some sort of rehearsal. *****
*****Were there other costumes or any effort to change costume when the time period changed in the script?
it is a dress rehersal..Everything happened like that. *****
Seems we have a loose communications connection. But i could not go further in the details
*****Did you play with depth of field to illustrate relationships between the actors? *****
Yes in some, where applicable
*****Did you also take photographs of the faces? *****
No... Seems like I should, but I had not the nerve and the lens did not help (I was chasing them around wiht a 19-35 lens
***** Did you try to use any long exposures to illustrate how people got from the alcoves onto the floor? *****
No...but movement was swift. In fact they were running at times. I do not think anything presentable could be gotten.
In general, this is the director's style. Utilizing the space/surroundings and fitting the play into them. With lots of movement and choreography. (he started his career in a partnership with a top dancer/choreographer).
if anyone cares the whole play is in YT
https://www.youtube.com/watch?v=Xb8ffHAbz74
thanks Emily!
Στις Παρασκευή, 14 Φεβρουαρίου 2020, 05:40:00 π.μ. EET, ο χρήστης Emily L. Ferguson <elferg308@xxxxxxxxxx> έγραψε:
On Feb 12, 2020, at 6:12 PM, Kostas Papakotas <clenchedteethphotography@xxxxxxxx> wrote:well, they are up for two weeks now....
So I wonder , how did you like them?
Assuming the color is accurate, and designed by the director or “stage” designer, they look like they should be an accurate representation of the situation, but there isn’t enough information for me to determine whether they represent the actual performance, or some sort of rehearsal.
Did you also take photographs of the faces? Did you try to use any long exposures to illustrate how people got from the alcoves onto the floor? Or why? Were there other costumes or any effort to change costume when the time period changed in the script? Did you play with depth of field to illustrate relationships between the actors?
Was the play performed with the actors reading from the scripts?
In short the photos aren’t telling me much about what happened, unless, despite what sounds like an interesting script, the director chose to only do what you showed.
_________________
Emily L. Ferguson
mailto:elf@xxxxxxxxxxxxxxxxxx
774-392-0022
New England landscapes, wooden boats and races
http://landsedgephoto.photodeck.com/
Emily L. Ferguson
mailto:elf@xxxxxxxxxxxxxxxxxx
774-392-0022
New England landscapes, wooden boats and races
http://landsedgephoto.photodeck.com/
