Re: PF members exhibit Sept 07, 2013

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I think one of my strongest suits as a person (across the board of my life in many areas) is my ability to intensely focus on things that are important to me, read, explore and learn about them at a pace that it suitable to me. Photography has certainly been one of those things.

It has been my habit for many years to pick a topic and spend a year exploring it. One year I chose to teach myself image editing in Photoshop, one year it was studio lighting, one year it was high key studio lighting, one year it was mastering black and white printing. One year it was doing 50 crunches every night before going to bed. One year it was learning to play the Irish whistle (I'm now into year two of this one). One year it was bicycling, one year it was nutrition.

As I've gotten older I realize that mentors are huge on the path of learning and I've had some good ones…Phil Wayner of this list being who I consider a great mentor; we've never met, only ever visited via email and a couple of phone calls.

When I was starting out in photography there weren't a lot of women in it, and because I was so young I wasn't taken as seriously as I could have/should have been when I went to my local shops and asked questions. Most of the employees were men who didn't really take the time with me to clearly answer my questions. I found a few who did and I was always so appreciative of them.

Several months ago I took some prints to a local photo shop and showed them to a friend who works there. She shoots film and prints in a darkroom. She looked at my prints and said something along the lines of, "Yeah. But they're digital." I was stunned that anyone had that attitude in this day and age…especially someone selling high end digital camera gear (I bought my 5DM3 from this person) looking at some lovely black and white prints.

The workshops I've taken have expanded me greatly, yes. I wish I'd been in a financial place to do most of them sooner than I did. But we tend to find what we need when we're ready for it. I'm exploring another workshop I'd like to take next summer.

In the meantime I do some mentoring for younger shooters and I work like crazy on my personal images…yesterday I printed fifty-three 8.5" x 11" black and white prints on my Epson 3800 using Canson Platine Fibre Rag. Man oh man are they gorgeous.

Lea

your kids . my camera . we'll click
www.leamurphy.com





On Sep 10, 2013, at 12:10 PM, Randy Little wrote:

I see no difference between the 2 accept one is designed to provide a degree which means a broader requirement of classes.   You are better because of classes and mentoring not because you decided to do what you do in a box.  no?




On Tue, Sep 10, 2013 at 9:53 AM, Lea Murphy <lea@xxxxxxxxxxxxx> wrote:
Uhm. Yes.

But considering we were across the street from the Kansas City Art Institute when she asked the question it was clear THAT was more the type of schooling she meant.



your kids . my camera . we'll click
www.leamurphy.com





On Sep 10, 2013, at 11:39 AM, Randy Little wrote:

umm Lea you don't think all those workshops are school?   



On Tue, Sep 10, 2013 at 7:56 AM, Lea Murphy <lea@xxxxxxxxxxxxx> wrote:
I had the opportunity this weekend to photograph a young lady's senior portraits. Her German exchange student house guest came along. The German girl, Lina, was very interested in photography and curious to know about all I was doing during the session….lighting, lens, f/stop, framing, etc.

As I was packing up gear at the end of the session Lina asked where I learned to photograph, what school I had gone to. When I told her I learned it all through reading photography magazines and books she was completely shocked. She said, "NO school?" I said, "No school."

My own experience has proven that deep passion combined with diligence, the ability to read combined with access to quality materials allows a person to do many, many things. I started photography when I was eleven years old and knew I was hooked for life by the time I was fifteen. My parents encouraged and supported me so very much in those early years with magazine subscriptions and book purchases, film and camera gifts that to this day warm my heart to think about.

I frequently wonder how different it would have been for me had the internet existed back then when I was really working to get photography figured out (late 70s- early 80s)…the ready access to information could have lowered my learning curve greatly. Or it could have completely overwhelmed me to the point of being unable to focus and absorb.

The beauty of my life now is that when I find a particular subject I'm interested in I take a class which is usually a very targeted intensive…I've done a master black and white printing class in Santa Fe with George DeWolfe, a studio lighting class with Marc Hauser, a One Light flash class with Zack Arias, and a life photography passion class (this class was so impressive it can't be pigeonholed into a category) in Santa Fe with Keith Carter. Each of them continue to impact my work on an ongoing basis.

Lea



your kids . my camera . we'll click
www.leamurphy.com





On Sep 10, 2013, at 9:33 AM, Andrew Davidhazy wrote:

May I mention  that some (maybe most) of the greatest and most successful photographers never took a course on photography in their lives. Formal education is not a prerequisite for effective photography I think. I can't think of what IS required but passion is probably a part of it. But I really don't know. Communication with others is probably another another. Being interested in others, being curious and flexible and open to learning from them or from mistakes are maybe others. Classroom learning is not useless and in fact sometimes is probably useful but it is not essential IMO. But as I say I am no expert on this and am just giving my opinion FWIW.

Andy







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