John, Thanks for your review and kind words. I see the area you're talking about on Josh's forehead. Not sure if it's natural or Leamade. I'll knock it back and see what I think. I believe, in thinking about it, it could be his untanned forehead since his hair is floating upward. I appreciate your input. Lea your kids . my camera . we'll click On Aug 3, 2013, at 7:30 AM, John Palcewski <palcewski@xxxxxxxxx> wrote: > Lea Murphy, Josh Jumps. Gotta say this is the most compelling > underwater action shot I've seen in a LONG time! The only nit-pick I > can make is what seems to be too much dodging in the lad's forehead. > And if it really isn't dodging, I'd be inclined to burn it in just a > bit. But that's probably just me, who used to spend a hell of a lot of > time in a darkroom. Making prints from photographic FILM. Those were > the days, eh? > > George E. Brown. I'm not sure if I'd make the connection between the > posts supporting the building facade and the guy's crutches if I > hadn't read your explanatory caption. Also, I'd be inclined to crop > off a portion of the left side, as well as the right. Especially the > right. > > Dan Mitchell, Boating on the River. A very busy image with a number > of competing points of interest. Being quite fond of street > photography, I'd want to get some tight telephotos of the folks in the > boats. Maybe one improvement would be to crop off the boat that's > going off the frame at the left. Or better, to simply clone out the > boat so as to preserve the trio of arches. > > Ah, this looks like a homage or a knock-off of Christo Vladimirov > Javacheff and Jeanne-Claude's Stacked Oil Barrels and Dockside > Packages, Cologne Harbor, 1961. Their very first collaboration. > http://bit.ly/15Cw7rX > > Randy S. Little, Cruxifix. Is there any symbolic value to > mis-spelling crucifix, or is it ironic word-play? This abstraction > seems to bear little or no relationship to the Christian symbol. It > could just as well be titled Blurs & Raindrops. >
