Lea Murphy, Josh Jumps. Gotta say this is the most compelling underwater action shot I've seen in a LONG time! The only nit-pick I can make is what seems to be too much dodging in the lad's forehead. And if it really isn't dodging, I'd be inclined to burn it in just a bit. But that's probably just me, who used to spend a hell of a lot of time in a darkroom. Making prints from photographic FILM. Those were the days, eh? George E. Brown. I'm not sure if I'd make the connection between the posts supporting the building facade and the guy's crutches if I hadn't read your explanatory caption. Also, I'd be inclined to crop off a portion of the left side, as well as the right. Especially the right. Dan Mitchell, Boating on the River. A very busy image with a number of competing points of interest. Being quite fond of street photography, I'd want to get some tight telephotos of the folks in the boats. Maybe one improvement would be to crop off the boat that's going off the frame at the left. Or better, to simply clone out the boat so as to preserve the trio of arches. Ah, this looks like a homage or a knock-off of Christo Vladimirov Javacheff and Jeanne-Claude's Stacked Oil Barrels and Dockside Packages, Cologne Harbor, 1961. Their very first collaboration. http://bit.ly/15Cw7rX Randy S. Little, Cruxifix. Is there any symbolic value to mis-spelling crucifix, or is it ironic word-play? This abstraction seems to bear little or no relationship to the Christian symbol. It could just as well be titled Blurs & Raindrops.
