> Jim Thyer - Point Lonsdale Pier Nicely exposed, and a nice leading line, but once we are where the leading line leads, there is nothing to see. > Christopher Strevens - Lonely Christmas Day The name of the photograph is vital to the feeling of loneliness. The fact that it's Christmas, and everyone else is home with loved ones, definitely speaks loneliness to me. Good lines in the photograph. > Bob McCulloch - Waiting Warm and peaceful it might be, but it is not inviting, since there is a fence in our way! What did you want to convey by keeping it in the frame? > Emily L. Ferguson - Jacek answers the press' question Must be an inside joke. I don't know who Jacek is. Although, I di like the expressions on Jacek and the interviewer's face. The photograph is fairly blurry. > John Palcewski - Undies Sorry, John, I just don't want to know, and the photograph isn't compelling enough for me to ask. It is also poorly framed, with the main subject trailing off the edge of the photograph. > Jan Faul- William Patterson House, Gettysburg Jan, there are many thing about this photograph that bother me, and since you have so much experience, I have to believe they were intentional. Of course, most viewers won't know your background. The colors are off, the house is uncomfortably located in the frame, the house roof is oddly curved (perhaps because of lens distortion). A strange composition. > Jonathan Turner - A well-exposed portrait, of a possibly mentally disturbed child? It's hard to tell. Also, the cropping off of her legs is odd. > Ken Sinclair - Grain-bin (VDB2) This is rather under-exposed, and oddly toned. If this was indeed your work for a course where you brushed on emulsion yourself, then it is understandable. The photograph is not too interesting by itself; it is probably a lot better as a series. Also, the photo looks tilted, not by much, and perhaps it is an optical illusion, but it doesn't seem to be sitting square.
