Review of PF gallery for 9-20-03

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I've been feeling guilty about submitting images for review and not taking
the time to do reviews myself.  I blame this partially on a lack of time,
which is a pretty lame excuse.

First a brief introduction.  My day job is that of Regulatory Toxicologist
for the US Food and Drug Administration (food safety, not drugs).  I've been
interested in photography for about five years, after having spent several
years living in Rochester (must be something in the water).  Which is where
I first started subscribing to Andy's PhotoForum.  I sorely miss the
resources which were available in Rochester for stimulating the desire to
improve one's photographic skills (especially the Community Darkroom and the
George Eastman House).

I hope to be able to contribute reviews in the future on a regular basis (I
know, easier said then done).  Maybe not as regularly as Mr. Fraser who
seems to consider doing reviews a holy undertaking, which I do appreciate.
One thing I have learned is that by making the effort to objectively
critique the work of others you can learn a lot about your own.  Please note
that I haven't read the reviews on photos other than my own, since I've been
out of town for the past week.



1.  Greg 'Rodeo' Fraser - "End of Summer"

The image is of a child's car, which appears to be carrying three pieces of
rock (children do like to collect almost anything).  The title is well
represented by the photo, which gives the empty feeling of the passage of
the season and the arrival of Fall (yellow and orange colors),  Other than
that, I didn't get a lot out of it.  The curve effect is nice, although it's
cropped too closely on the right.  The focus brings my eyes to the rocks,
which I feel are secondary to the overall picture.

2.  D.L. shipman - "untitled"

This is a picture of two Great Egrets (at least I think they're Great
Egrets), which are either locked in combat or going through a mating ritual
(some times the two are difficult to tell apart).  The photo itself is quite
beautiful, showing a lot of patience on Mr. Shipman's part.  The sections of
the image which out of focus give the feel of motion and intensity of
action.  My major problem with this photo is the deadness of the sky in the
background, perhaps cropping the top would reduce that a bit.

3.  Kostas Papakotas - "the amazing light conspiracy"

A shot of a young singer doing a stage sound check.  Not sure about the
"conspiracy" part, but I do like the light.  It has that warm glow of
evening, and softens the overall picture.  I also like the way that the
you've managed to nicely isolate the singer from the musician (?) to her
left.  Although he almost appears attached to her.  I'm somewhat disturbed
by the out-of-focus stage lights which appear to be somewhat in front of the
singer.  Maybe a better angle would have been to take the picture a little
more directly across her profile, bringing the lights more in line.

4.  Gregory David Stempel - "Waiting on the Metro"

A photograph of an empty gray concrete area which is broken by a whitish
concrete rectangle.  A person of undetermined sex is just barely visible in
the upper right, apparently counting change.  Even without the title I
probably would have concluded that this person was waiting on the bus, or
some other conveyance (in DC the subway is known as the "Metro").  The image
gives the impression of emptiness, or loneliness; not sure which
predominates.  The shot from overhead is effective in giving that
impression, although a little more space would have enhanced that feeling.

5.  Andrew Fildes - "Now THIS is a kingfisher"

A close up of a Kingfisher, eye-to-eye.  This is a very nice image, and the
poem, which I won't critique, adds a gentle touch.  Good focus on the eye
and beak, makes it look like a bird you wouldn't want to mess with.  Your
wife's "child" looks like it could be nasty.  The focus on the body is a bit
soft.  At f2.4 I guess your depth of field is somewhat limited.

6.  Dan Mitchell - "Remembrance"

A photograph of an empty table in an eatery.  My favorite this week.  The
light falling across the table and illuminating the bud vase and sugar bowl
(?) is very effective.  It does almost give a deja vu feeling. The
highlights are well exposed and there is a nice contrast to the overall
image.  I originally thought the picture could be improved by cropping out
the windows, but it didn't have the same feeling.

7.  Achal Pashine (didn't you have another name at one time?) - Clouds

Photograph of cloud formations over the ocean.  Yep, those are clouds, and
nice ones too.   Nice level horizon, and good contrast.  Looks like a shot
Mike Kahn might have made, but without the sail boats.  Needs some other
point of interest though.

8.  Fred van Sand - "Newburyport Bridge"

A photograph of a raised drawbridge with a sail boat preparing to go under
it.  This image is a little lacking in contrast.  Adding more would pop the
shadow on the bridge control tower, add greater definition to the clouds and
liven up the colors overall. It would have been nice to see more of the near
side of the bridge, although I  suspect you cropped it to remove the cars
waiting to cross.  The light post without the light in the foreground is
distracting.  I also think that cropping the right side of your image would
bring the focus more to the bridge.  As it stands the photo is a little too
busy on the right side.  I used to live in Newburyport, Mass, is this where
your photo was taken?

9.  Leslie Spurlock - "Boy at chorten"

Photograph of a young boy standing in the doorway of a room apparently lit
only by window light.  Not sure where, or what, chorten is, by the look of
this picture I would assume it was somewhere in Mongolia or Tibet.  Anyway,
I like the color rendition, good skin tone.  However, my eye seems to wander
away from the boy, who is supposed to be the focus, into the interior of the
room.  Strategic left and right cropping would eliminate other distractions
and focus on the central subject (my solution for everything!).  If you were
attempting to show the boy with artifacts of his culture, you need to give
the interior of the room greater detail.

Whew, that was harder than I thought.  It's taken me the better part of the
morning.  Oh well, I would have been working anyway.  Thanks to everyone for
their submissions.

Scott 


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