Hi, Thank you all for your comments and your kindness, because one could have noted it's a cliché/easy image based on a known wit (the diagonal made by the direction of the gazes. And also, depending on your monior perhaps, that the coffee is a little dark.. I was charmed by these stuffed animals looking truer than real ones and so well lit that they just seemed about to get out of the showwindow and climb down among the visitors of the cafeteria. Not sure I was able to restitute this impression however, because I was using available light with a digital camera. It was not too difficult to catch the young woman at the left while looking back because there was a wall just in front of her and she was constantly tempted to turn her head back, perhaps even waiting for someone. I didn't have to tell her anything, just wait for her to be in the right position. Thanks to all the reviewers for offering their comments.. Christiane PS : if you want to go to the gallery quickly : http://www.rit.edu/~andpph/gallery.html Le 2.2.2003 7:40, « John Palcewski » <palcewski@hotmail.com> a écrit : > Christiane Roh, Lausanne, Palais Rummine, October 2002. Fascinating > interplay between the girl at the table and the antelope. I'd be tempted to > clone out the figure in the upper left because it's ever so slightly > distracting. But then it's consistent with the "busyness" of the other café > patrons. Another intriguing delight from Christiane. Le 4.2.2003 6:44, « Guy Glorieux » <guy.glorieux@sympatico.ca> a écrit : > > Christiane Roh - Lausanne, Palais Rumine -- Absolutely hilarious! (Is > this the new trend: slow motion decisive moment...? -:)) Le 5.2.2003 15:01, « Gregory Fraser » <Gregory.Fraser@pwgsc.gc.ca> a écrit : > > Christiane Roh (Lausanne, Palais Rumine, October 2002) - "Harold, come quick! > They're feeding the humans in the cafe habitat! Look! One's looking right at > me!" I love this reverse zoo thing happening here. I wonder why the woman on > the left knew she was being watched or did you, the photographer, tip her off? -- Cris
