On 08/04/14 15:03, Paul Davis wrote:
On Tue, Apr 8, 2014 at 1:49 AM, Simon Wise<simonzwise@xxxxxxxxx> wrote:
it depends on what you are practiced at, in a different but related field
... plotting lighting cues in a theatre ... it is very common to be the
designer and have someone else operating the desk, then keeping large sets
of channel numbers and existing states in your head makes it a lot quicker
and easier to communicate as you walk around the space. Casual observers
find this dialogue very strange. Interestingly operating audio you often
look down at the desk, operating lights the effect is visual and not
looking at the desk is important.
Understood, but I'm not sure of the relevance of this observation/behaviour
to a situation where the lights themselves function as a "visual
memory/display" of the current state.
no more than the sound does, you can hear what's playing just as easily ... it
is not easier to know which light needs tweaking on a stage than which
instrument in a mix, and no more obvious which channel to adjust from the look
than which channel to adjust from the sound.
Simon
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