Re: Bitwig: what we can learn from it

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On 04/04/14 20:59, Fons Adriaensen wrote:
On Fri, Apr 04, 2014 at 10:58:17AM +0200, Tim Blechmann wrote:

Where anyone can publish anything of course the user needs to do a fair
bit of work filtering the worthwhile from the useless.

replace 'useless' by 'broken' ... if you use have an unstable filter in
your fx chain, you could either destroy your speakers or even worse:
your ears.

or someone else's speakers or ears.

And having to do 'a fair bit of work' separating the crap from the
usable isn't going to improve a potential user's workflow either,
nor his first impression of what Linux Audio has to offer.

It's not just filters oscillating. I've seen delay lines blow
up, compressors going to infinite gain, and all sorts of things
producing loud bangs when connected, activated or coonfigured.
And those are just the potentially destructive 'features', we
are not even discussing basic processing quality.

Yet all this stuff gets distributed, listed on helpful websites
(look ! hundreds of plugins !), and nobody feels the need to
weed out the crap. Wonder why some people don't take Linux
Audio seriously ?

there is a certain amount of weeding done, there have been media focussed distributions, and parts of distributions ... but no-one is in a position to stop rubbish being published. A walled garden is OK if it happens to have everything you need, you can afford the upkeep and you aren't the type of person who always wonders what else is possible. But linux audio as a whole can never be that ... a tightly controlled DAW could, and it could run on linux, but paying the gardeners isn't always so easy, and for some the wild places are more interesting anyway.

Simon
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