On 22 November 2012 at 9:45, Eric Wong <normalperson@xxxxxxxx> wrote: > I like using makefiles because I can make small edits to code, and when > I run "make", it'll only rebuild the part of a project which changed. Maybe some of the processing issues are those which your Makefile will attend to. So, having a really good Makefile is essential. I've attached an old Makefile of mine, which I won't call "good". But, it enabled a lot of semi-automation. I say "semi" because I had to tailor a number of magic constants. G'luck... -- Kevin
# $Id: Makefile,v 1.27 2004/07/01 00:14:28 kevinc Exp kevinc $ ############### TODO LIST ############### # # 1. Sound file mastering issues: # DONE - Choose mail-order-bride version "fx" or previous ambiance # DONE - remove noise in tails. moderate: PoV, IF, Pewter, CR # DONE - mild: NT, SL # DONE - confirm R/L swap on newest MoB # DONE - confirm R/L swap # DONE - confirm vocal centerings # DONE - renormalize inter-song volumes # decide CD song order # ######################################### ############### TOP-LEVEL FILE DEFINITIONS ############### INPUT:= 7th-island-fx.wav \ chain-reaction-fx.wav \ inner-face-fx.wav \ mail-order-bride-fx.wav \ no-time-fx.wav \ ode-to-bela-human-fx.wav \ pewter-sky-fx.wav \ point-of-view-fx.wav \ robs-strawman-13may02.wav \ robs-strawman-12aug02.wav \ robs-strawman-13may02-drums.1.wav \ robs-strawman-13may02-drums.2.wav \ robs-strawman-13may02-drums.3.wav \ robs-strawman-13may02-drums.4.wav \ robs-strawman-13may02-drums.5.wav \ simple-life-fx.wav FADES:= $(INPUT:%.wav=%-norm-trim-fade.wav) IMD5:= $(INPUT:%.wav=%.md5) ISTATS:= $(INPUT:%.wav=%.stat) LAMES:= $(INPUT:%.wav=%.mp3) NSTATS:= $(INPUT:%.wav=%-norm.stat) OMD5:= $(INPUT:%.wav=%-done.md5) OSTATS:= $(INPUT:%.wav=%-done.stat) OUTPUT:= $(INPUT:%.wav=%-done.wav) PADS:= $(INPUT:%.wav=%-norm-trim-fade-pad.wav) SNAMES:= $(INPUT:%.wav=%) TRIMS:= $(INPUT:%.wav=%-norm-trim.wav) ############### EFFECTS CATALOG ############### BREJ:= -brej FADE:= -fade HPF:= -hpf LR:= -lr NORM:= -norm NULL:= PAD:= -pad PAN:= -pan TRIM:= -trim VOL:= -vol WAV:= .wav ############### PRESERVED INTERMEDIATES ############### .PRECIOUS: \ %-done.wav \ %-hpf.stat \ %.stat \ $(TOCMASTER) \ %-vol.stat ############### PROGRAMS & PATHS ############### CDRDAO= /usr/bin/cdrdao CDRDEV= 0,3,0 CDRDRV= generic-mmc:0x0 CHMOD= /bin/chmod CP= /bin/cp ECHO= /bin/echo LAME= /usr/bin/lame LN= /bin/ln MD5SUM= /usr/bin/md5sum MV= /bin/mv NORMALIZE= /usr/bin/normalize RM= /bin/rm -f SOX= /usr/bin/sox TOCFILE= gcdmaster-tracks.tmp TOCMASTER= gcdmaster-tracks TOUCH= /bin/touch ############### DEFAULT TARGET ############### default: help ############### USER TARGETS ############### help: @$(ECHO) "This Makefile is an aid in mastering song files." @$(ECHO) "Targets are:" @$(ECHO) "" @$(ECHO) " all runs: imd5s istats omd5s ostats outputs & mp3s" @$(ECHO) " burn burn a CD" @$(ECHO) " clean removes interim files" @$(ECHO) " clobber removes all recreatable files" @$(ECHO) " imd5s MD5 checksum input files" @$(ECHO) " istats report statistics on input files" @$(ECHO) " lames encode MP3s using 'lame'" @$(ECHO) " nstats report statistics for normalized songs" @$(ECHO) " omd5s MD5 checksum output files" @$(ECHO) " ostats report statistics on input files" @$(ECHO) " outputs create final masters" @$(ECHO) "" # @$(ECHO) " fades fade out song endings" # @$(ECHO) " trims trim garbage from song starts" all: imd5s istats omd5s ostats outputs lames burn: $(TOCFILE) $(CDRDAO) write --speed 8 -v0 --device $(CDRDEV) \ --driver $(CDRDRV) --buffers 10 $(TOCFILE) clean: -$(RM) fades -$(RM) imd5s -$(RM) istats -$(RM) lames -$(RM) mp3s -$(RM) nstats -$(RM) omd5s -$(RM) ostats -$(RM) outputs -$(RM) trims clobber: clean -$(RM) $(ISTATS) -$(RM) $(LAMES) -$(RM) $(NSTATS) -$(RM) $(OSTATS) -$(RM) $(OUTPUT) -$(RM) *-brej.wav -$(RM) *-fade.wav -$(RM) *-hpf.stat -$(RM) *-hpf.wav -$(RM) *-lr.wav -$(RM) *-norm.stat -$(RM) *-norm.wav -$(RM) *-pan.wav -$(RM) *-trim.wav -$(RM) *-vol.stat -$(RM) *-vol.wav -$(RM) *.md5 -$(RM) *.mp3 -$(RM) *.stat -$(RM) test.mp3 -$(RM) test.wav # This breaks clean-up of intermediate wave files # fades: $(FADES) # -$(RM) $@ # -$(TOUCH) -f $@ imd5s: $(IMD5) -$(RM) $@ -$(TOUCH) -f $@ istats: $(ISTATS) -$(RM) $@ -$(TOUCH) -f $@ lames: $(LAMES) -$(RM) $@ -$(TOUCH) -f $@ nstats: $(NSTATS) -$(RM) $@ -$(TOUCH) -f $@ omd5s: $(OMD5) -$(RM) $@ -$(TOUCH) -f $@ ostats: $(OSTATS) -$(RM) $@ -$(TOUCH) -f $@ outputs: $(OUTPUT) -$(RM) $@ -$(TOUCH) -f $@ # This breaks clean-up of intermediate wave files # trims: $(TRIMS) # -$(RM) $@ # -$(TOUCH) -f $@ ############### SONG SPECIFIC CONTROL DEFINITIONS ############### 7th-island-fx-fade:= t 0.1 6:11.010 0.2 # OK 7th-island-fx-hpf:= 10 # not needed 7th-island-fx-norm:= 0.3485 # OK 7th-island-fx-pan:= -0.07 # OK 7th-island-fx-trim:= 0:10.118 # OK 7th-island-fx-samp:= 1:53-3:25 # approx. chain-reaction-fx-fade:= t 0.05 4:57.880 1.5 # OK chain-reaction-fx-hpf:= 75 # OK chain-reaction-fx-norm:= 0.3125 # OK chain-reaction-fx-pan:= 0.20 # good enough chain-reaction-fx-trim:= 0:06.376 # OK chain-reaction-fx-samp:= start-0:32ish, 4:36-end # approx. inner-face-fx-fade:= t 0 3:04.599 2.8 # OK inner-face-fx-hpf:= 90 # OK inner-face-fx-norm:= 0.3418 # OK inner-face-fx-pan:= -0.15 # OK inner-face-fx-trim:= 0:05.756 # OK inner-face-fx-samp:= start-1:38 # approx. mail-order-bride-fx-fade:= t 0 7:08.320 0.3 # mail-order-bride-fx-hpf:= 10 # not needed mail-order-bride-fx-norm:= 0.3327 # mail-order-bride-fx-pan:= 0.25 # mail-order-bride-fx-trim:= 0:08.300 # mail-order-bride-fx-samp:= 5:32-end # approx. no-time-fx-fade:= t 0 5:10.800 0.45 # 5:10.300 0.45 no-time-fx-hpf:= 80 # OK no-time-fx-norm:= 0.4370 # OK no-time-fx-pan:= 0.35 # good enough no-time-fx-trim:= 0:02.411 # OK no-time-fx-samp:= start-1:48 # approx. ode-to-bela-human-fx-fade:= t 0 3:09.600 0.8 # OK ode-to-bela-human-fx-hpf:= 10 # not needed ode-to-bela-human-fx-norm:= 0.3621 # OK ode-to-bela-human-fx-pan:= 0.20 # OK ode-to-bela-human-fx-trim:= 0:12.442 # OK ode-to-bela-human-fx-samp:= 2:40-end # approx. pewter-sky-fx-fade:= t 0 3:52.460 4.0 # OK pewter-sky-fx-hpf:= 75 # OK pewter-sky-fx-norm:= 0.3967 # OK pewter-sky-fx-pan:= -0.35 # OK pewter-sky-fx-trim:= 0:04.947 # OK pewter-sky-fx-samp:= start-1:00 # approx. point-of-view-fx-fade:= t 0 4:47.200 1.2 # OK point-of-view-fx-hpf:= 75 # OK point-of-view-fx-norm:= 0.3651 # OK point-of-view-fx-pan:= -0.20 # OK point-of-view-fx-trim:= 0:03.408 # OK point-of-view-fx-samp:= 2:52-4:20 # approx. robs-strawman-12aug02-fade:= t 0.05 7:41.000 1.0 # OK robs-strawman-12aug02-norm:= 0.38 # OK robs-strawman-12aug02-pad:= t 0 7:43.000 # OK robs-strawman-12aug02-trim:= 0:5.5 # OK robs-strawman-13may02-fade:= t 0.05 6:23.940 0.2 # OK robs-strawman-13may02-pad:= t 0 6:25.940 # OK robs-strawman-13may02-norm:= 0.3485 # OK robs-strawman-13may02-trim:= 0:5.1 # OK robs-strawman-13may02-drums.1-fade:= t 0:1.0 1:52.9 1# OK robs-strawman-13may02-drums.1-norm:= 0.36 # OK robs-strawman-13may02-drums.1-pad:= t 0 1:54.9 # OK robs-strawman-13may02-drums.1-trim:= 0:1.0 1:53.9 # OK robs-strawman-13may02-drums.2-fade:= t 0:1.0 0:58.38 1# OK robs-strawman-13may02-drums.2-norm:= 0.35 # OK robs-strawman-13may02-drums.2-pad:= t 0 1:00.38 # OK robs-strawman-13may02-drums.2-trim:= 0:0.42 0:58.8 # OK robs-strawman-13may02-drums.3-fade:= t 0:1.0 0:46.8 1# OK robs-strawman-13may02-drums.3-norm:= 0.32 # OK robs-strawman-13may02-drums.3-pad:= t 0 0:48.8 # OK robs-strawman-13may02-drums.3-trim:= 0:0.3 0:47.1 # OK robs-strawman-13may02-drums.4-fade:= t 0:0.5 0:46.88 1 # OK robs-strawman-13may02-drums.4-norm:= 0.30 # OK robs-strawman-13may02-drums.4-pad:= t 0 0:48.88 # OK robs-strawman-13may02-drums.4-trim:= 0:1.7 0:48.58 # OK robs-strawman-13may02-drums.5-fade:= t 0:0.5 0:48.38 1 # OK robs-strawman-13may02-drums.5-norm:= 0.33 # OK robs-strawman-13may02-drums.5-pad:= t 0 0:50.38 # OK robs-strawman-13may02-drums.5-trim:= 0:1.7 0:48.38 # OK simple-life-fx-fade:= t 0 5:43.300 0.1 # OK simple-life-fx-hpf:= 75 # OK simple-life-fx-norm:= 0.3838 # OK simple-life-fx-pan:= -0.20 # OK simple-life-fx-trim:= 0:06.300 # OK simple-life-fx-samp:= start-2:00 # approx. ############### SECONDARY TARGETS ############### # pan before normalzing # normalize before trim or fade 7th-island-fx-done.wav: \ 7th-island-fx-pan-norm-trim-fade-lr.wav -$(RM) $@ $(MV) $< $@ chain-reaction-fx-done.wav: \ chain-reaction-fx-norm-trim-hpf-fade-lr.wav -$(RM) $@ $(MV) $< $@ inner-face-fx-done.wav: \ inner-face-fx-pan-norm-trim-hpf-fade.wav -$(RM) $@ $(MV) $< $@ mail-order-bride-fx-done.wav: \ mail-order-bride-fx-pan-norm-trim-fade-lr.wav -$(RM) $@ $(MV) $< $@ no-time-fx-done.wav: \ no-time-fx-pan-hpf-norm-trim-fade-lr.wav -$(RM) $@ $(MV) $< $@ ode-to-bela-human-fx-done.wav: \ ode-to-bela-human-fx-pan-norm-trim-fade-lr.wav -$(RM) $@ $(MV) $< $@ pewter-sky-fx-done.wav: \ pewter-sky-fx-pan-norm-trim-hpf-fade.wav -$(RM) $@ $(MV) $< $@ point-of-view-fx-done.wav: \ point-of-view-fx-pan-norm-trim-hpf-fade-lr.wav -$(RM) $@ $(MV) $< $@ robs-strawman-12aug02-done.wav: \ robs-strawman-12aug02-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-done.wav: \ robs-strawman-13may02-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-drums.1-done.wav: \ robs-strawman-13may02-drums.1-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-drums.2-done.wav: \ robs-strawman-13may02-drums.2-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-drums.3-done.wav: \ robs-strawman-13may02-drums.3-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-drums.4-done.wav: \ robs-strawman-13may02-drums.4-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ robs-strawman-13may02-drums.5-done.wav: \ robs-strawman-13may02-drums.5-norm-trim-fade-pad.wav -$(RM) $@ $(MV) $< $@ simple-life-fx-done.wav: \ simple-life-fx-pan-norm-trim-hpf-fade-lr.wav -$(RM) $@ $(MV) $< $@ test.wav: inner-face-fx-done.wav -$(RM) $@ $(SOX) $< $@ trim 0:13.000 0:10.000 test.mp3: test.wav ############### PATTERN RULES ############### %-brej.wav: %.wav -$(RM) $@ $(SOX) $< $@ bandreject 11500 2800 %-fade.wav: %.wav -$(RM) $@ $(SOX) $< $@ fade \ $($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(@))))))))-fade) %-hpf.stat \ %-hpf.wav: %.wav -$(RM) $(*)-hpf.wav $(*)-hpf.stat $(SOX) $< $(*)-hpf.wav highpass \ $($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(*))))))))-hpf) ( $(SOX) $(*)-hpf.wav -e stat 2>&1 ) > $(*)-hpf.stat %.mp3: %.wav -$(RM) $@ $(LAME) --quiet --vbr-new -V 0 $< $@ %.md5: %.wav -$(RM) $@ $(MD5SUM) $< > $@ %-lr.wav: %.wav -$(RM) $@ $(SOX) $< $@ swap %-norm.stat \ %-norm.wav: %.wav -$(RM) $(*)-norm.wav $(*)-norm.stat $(CP) $< $(*)-norm.wav $(CHMOD) u+w $(*)-norm.wav $(NORMALIZE) -q --amplitude=$($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(*))))))))-norm) \ $(*)-norm.wav ( $(SOX) $(*)-norm.wav -e stat 2>&1 ) > $(*)-norm.stat %-pad.wav: %.wav -$(RM) $@ $(SOX) $< $@ fade \ $($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(*))))))))-pad) %-pan.stat \ %-pan.wav: %.wav -$(RM) $(*)-pan.wav $(*)-pan.stat $(SOX) $< $(*)-pan.wav pan \ $($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(*))))))))-pan) ( $(SOX) $(*)-pan.wav -e stat 2>&1 ) > $(*)-pan.stat %.stat: %.wav -$(RM) $@ ( $(SOX) $< -e stat 2>&1 ) > $@ %-trim.wav: %.wav -$(RM) $@ $(SOX) $< $@ trim \ $($(subst $(FADE),$(NULL),$(subst $(HPF),$(NULL),$(subst $(NORM),$(NULL),$(subst $(PAD),$(NULL),$(subst $(PAN),$(NULL),$(subst $(WAV),$(NULL),$(subst $(TRIM),$(NULL),$(*))))))))-trim) %-vol.stat \ %-vol.wav: %.wav -$(RM) $(*)-vol.wav $(*)-vol.stat $(SOX) -v 1.0 $< $(*)-vol.wav ( $(SOX) $(*)-vol.wav -e stat 2>&1 ) > $(*)-vol.stat $(TOCFILE): $(TOCMASTER) -$(RM) $@ $(CP) $< $@
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