On Thu, Nov 4, 2010 at 12:24 PM, David Santamauro <david.santamauro@xxxxxxxxx> wrote: > true, but also a bit of jealousy, no? Why should someone with no > musical skills other than the ability to operate computer software be > able to travel the same path as a someone trained for decades? > I can't resist. You better not be trolling us... The bottom fell out of the font design business in the 80's. Desktop publishing made elaborate design with type accessible to a huge population of newly minted untrained practitioners. As a result, everyone wanted lots of cheap fonts. There was room at the top for a few type design greats and past that was a swamp of newly demanded "junk" typefaces. At least that's the story David Seigel tells. There was no longer a market for "middle of the road" fonts. There were only font collections costing thousands and font collections costing $5. I went with the cheap stuff and did my kerning by hand. Just saying. And here we all are. There are fonts and there is software and the sun continues to rise. There's even starting to be a middle market for fonts again. If I'm in that middle of the market where my livelihood depends on people needing me to make funny sounds with a keyboard and a voice, well, I'm in big trouble. If fons comes out with a new tool that automixes my otherwise good arrangement into a potential top 40 hit, and you're a mixing engineer, well, you're in big trouble. Tools that make art easier are always going to result in a flood of new and completely uninteresting art. Oh well. The orbit of the planet is usually unaffected by that. But I think the lesson of history is that in the long run, it accelerates the pace of innovation, even if it makes things ugly for awhile up front. -- Darrin _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user
