Re: OT: Microphone choice for pipe organ

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On 06/23/2010 10:11 PM, Jörn Nettingsmeier wrote:

if you're recording in that church frequently, see if they're willing
shell out the money for a pair of decent omnis and maybe you can hang
them (semi-)permanently, where they don't show too badly or present
tripping hazards. often, high microphone positions sound nicer for
stereo reproduction, too.

Not a bad idea. I'll see what I can do.

interesting!

having listened to the xy samples, i'd say there is some room for
improvement with the microphones :)

Yes, indeed. These cheap dynamic cardioids were not my first choice, but all I could lay my hands on at short notice. I think they're intended for PA use really.

if you have to stick with your cardioids, try moving them a little more
to the back, so that you pick up more reverb and less direct sound - i
think this will make the sound a lot more pleasant and elegant.

I tried moving the mics back and forth a little from the organ. I found that too far from the organ, the organ sounded "lost" in a huge sea of reverb. Moving just that little bit (less than 1m) towards the organ made it a lot drier, but cleaner.

I figured I could add digital reverb if necessary - but eventually decided against. Most of the recordings include a choir, and mixing the choir and organ sounds a lot more mellow than the organ on its own.

I don't know if this sea of reverb was an effect of using a single (mono) microphone - it wasn't so severe with the XY dynamics.

Based on Jörn's advice I will attempt to somehow get hold of a pair of omnis. I don't know if anyone can tell me - if I use an XY pair for the choir and an AB pair for the organ, is it OK to simply mix the two stereo feeds?

Cheers!
Jonathan
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