On Sun, Sep 27, 2009 at 6:02 AM, Fons Adriaensen <fons@xxxxxxxxxxxxxxx> wrote:
> 1. To create a 'natural' sound, i.e. one that includes
> the acoustics of a real space, or something that could
> be a real space. In most cases, if the 'real space' is
> not something special such as a church, the listener
> would not really be aware of the reverb and certainly
> not hear it as an effect. It would just add realism,
> provide a idea of the dimensions of the space, and
> create depth - some instruments being closer than others.
> This is what you would do for classical music and in
> general for anything called 'acoustic'. In that case,
> if you start with dry recordings, you would add reverb
> on *all* instruments and voices, but not the same amount
> on all.
I tried out jconv last night, on some recordings of my wife playing
flute, using the aux send method (since I hadf multiple tracks). It
sounded *awesome*, very lush and added some real depth to the
recordings. It's exactly what I need for choral and orchestral music.
-- Brett
------------------------------------------------------------
"In the rhythm of music a secret is hidden;
If I were to divulge it, it would overturn the world."
-- Jelaleddin Rumi
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