Re: processing lead vocals

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On Tue, 2009-06-02 at 17:40 +0200, Atte André Jensen wrote:
 Always listen to the track in the song before you make ANY processingchoices.  If it sits just fine except for a few places in the song youmight just want to ride the fader a bit with an automation pass.  RogerNichols (Steely Dan) doesn't use compression on vocal tracks.  He justrides the fader til he gets a pass that he likes.
 If there are frequencies interfering with the vocals it might be thatthe mix is pregnant in a certain frequency range, and other tracks mightneed slight (subtractive) EQ.
 I do compress vocals, but to too aggressively, and like Roger Nichols,I ride the fader til I get the vocal to sit in the mix nicely.
 Adding a little upper-end "air" will often make the vocals stand out ina track and add clarity.  Give a little boost at 10K (peaking, notshelving) and that often helps.
 Rich...

> Maybe it's got to to with genre (or taste or eays or something else), > but I really feel a clean track need something, for instance EQ, to jump > out of the track and lift it.> 
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