Grammostola Rosea wrote: > Anders Dahnielson wrote: > >> On Sun, Aug 31, 2008 at 11:13, Grammostola Rosea >> <rosea.grammostola@xxxxxxxxx <mailto:rosea.grammostola@xxxxxxxxx>> wrote: >> >> Ray Rashif wrote: >> > At the beginning of the bar; time signature. Normally you don't see >> > the time signature on every bar because it's the same as the >> previous. >> No I don't mean 3/4 or 4/4. >> >> 1 2 3 4 | 1 etc. >> >> 1-2-3 1-2-3 1-2-3 1-2-3 1-2-3 >> >> In blues they play often 1-*-3 1-*-3 1 etc >> * = no hit >> >> >> or >> >> 1 2 3 4 | 1 etc. >> >> 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4 >> >> Hope this is more clear to someone ;) >> >> >> That's triplets. >> >> http://www.izap.com/~pinnacle/rhythms/r.triplets.html >> <http://www.izap.com/%7Epinnacle/rhythms/r.triplets.html> >> http://www.studybass.com/lessons/rhythm/the-eighth-note-triplet-subdivision/ >> >> > Ah ok, thanks. > _ And this is how you write it down with Lilypond \relative c' { \times 2/3 {e8 g e} \times 2/3 {d c d} | \times 2/3 {c4 e g} c2 } using the \times command _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user
