Re: A virtual LAU chillout band - is this clearer?

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On Wed, 2007-11-14 at 11:17 -0500, Frank Pirrone wrote:
> Patrick Shirkey wrote:
> > On Tue, 2007-11-13 at 23:48 -0500, Rob wrote:
> >
> >   
> >> I always envisioned just having all the tracks out there, and having 
> >> any contributor able to make a mix (in EDL form) from whichever 
> >> source tracks he or she likes.
> >>     
> >
> > This is the most viable format for open distribution.
> >
> > Have you thought of how to share an EDL between several people editing
> > it at the same time on different PC's?
> >
> > Has anyone else thought of how to make this viable?
> >
> > Maybe it should just be a torrent that includes the project config file,
> > audio files and lash config file? 
> >
> > That way people can distribute a complete session in one torrent. If we
> > make a site for hosting the torrents then we don't have to deal with
> > bandwidth issues.
> >
> > How about http://torrents.linuxaudio.org
> >
> >   
> 
> Patrick and the Band!
> 
> I either didn't make myself clear enough or I'm not myself clear on the 
> concept, but all that seemed to be necessary to explore this process is 
> what I stated in my last message:
> 
>     * Song starts at a point in time with a designated originator's
>       idea, perhaps the chap who raised this possibility.
>     * He lays down a track on whatever instrument fits his
>       conceptualization and playing skills.
>     * A compressed file is uploaded to our server/repository along with
>       a project file appropriate to our choice of application.
>     * The relatively small group of participants downloads that track,
>       which at a few megabytes and a limited number of downloads is no
>       bandwidth problem at all.
>     * Each downloader who comes up with something they like and feel is
>       creditable simply uploads their compressed track.
>     * Now there are two tracks on the server following the first upload.
>     * Each track is aligned by virtue of the project file and will
>       automatically register correctly in that application for everyone.
>     * Tracks increase in number on the server, but only the new ones are
>       downloaded - names with cat, instrument, and timestamp will make
>       them clear enough.
>     * People share two things as matters proceed - their impressions of
>       the tracks being contributed, especially those duplicating a part,
>       say background riffs, and also their impression of how the tune is
>       developing.
>     * A fork is both uneventful and consequential to the process. 
>       Anyone loving what they currently have in hand can simply leave it
>       at that and take it from there.  Don't like my guitar part or
>       playing?  Trash it and substitute yours.  Love it?  Okay, it's in.
>     * To that last point, a call or even consensus can arise saying,
>       "Awesome guys, that drum part is it- done, and so is the bass and
>       the guitar.  Thanks, no more submissions needed on those tracks.:
>     * That's cool, my lead got in.  Hmmm, I'm bored now.  Wait, I'll
>       contribute a backing or harmony line vocal track.
>     * Finally, when a call or even consensus arises saying, "Damn, that
>       tune's a bitch.  Let's go with it." once agreement is established
>       everyone uploads the higher quality tracks of the "winning" parts
>       and things move on to the mixing and mastering stage.
> 
> We'll argue over how to do that part when that bridge comes to us!
> 
> Capiche?  Trash my idea if it deserves it, but just be kind...
> 
> Frank
> 

I was taking the lead from Rob and it appears your thread was kindof
hijacked. That why I started a new one but everyone has continued on
this one...

Cheers.


-- 
Patrick Shirkey
Boost Hardware Ltd.

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