Am Mittwoch, 25. April 2007 schrieb lanas: > Le Mer, 25 Avr 2007 11:31:14 +0200, > Arnold Krille <arnold@xxxxxxxxxxxxx> a écrit : > > I don't get your problem. fluidsynth reacts quite well on > > midi-control. Just adjust the individual volume/pan/chorus/reverb > > with the corresponding midi-messages and you will get what you want. > > Why do you think it is easier to have that in a separate gui (like > > qsynth) instead of being stored in your rosegarden/muse/<any other > > midi-sequencer>-session? > Rosegarden ? I should give it a try. Now I'm using Seq24 and while > it's not perfect it conveys some simplicity which I like. Seq24 does > not interface with fluidsynth, I think. Or does it ? Maybe I should > do without QSynth and try to use fluidsynth directly with Seq24 but > then, as far as trying out sounds and just having fun, I wonder how > pratical the command-line interface is. With QSynth I just click on a > different sound and inside maybe 2 second (time to grab the mouse, > etc...) I have a new sound. seq24 interfaces to fluidsynth via midi. Well, for testing sounds you could also interface fluidsynth with vkeybd which is a virtual keyboard and has the controls for volume, pan, chorus, reverb in the gui. You shouldn't stop using qsynth. Its a nice gui instead of writing a lot o obscure commands. But there is much more to control the behavior of fluidsynth. By the way: fluidsynth reacts just like the hardware-synth of the emu10k1 (soundblaster live). It even uses the same soundfonts. ;-) > You seem to point to the possibility that a single sf archive can use > different volume controls since each sound has a MIDI channel and for > each channel a MIDI volume control can be set. Not a single sf-archive can use different volume, but any midi channel can control its volume individually. These midi-channels can be sent to different instruments in one sampler/synth but also to different hardware- or software devices... Only limitation here is that you shouldn't chain to many hw-devices together because of midi-latency and that you only have 16 channels per midi-port... > Following the same thought, each MIDI channel could be routed thru a > reverb/chorus. Not "could be" but "is"! The midi standard defines that certain controllers control the level sent to effect[1-x] of each of the 16 channels. And fluidsynth honours that. While you can control the overall volume of the reverb in qsynth, you can control the individual reverb-send of each channel just the standard midi way. > But then, there could be a lot of jack racks on the > screen while if you compare with Zyn, this functionality is neatly > contained inside the same app. But the Zyn-effects can't be controlled via midi. And thus you can't change the send-volumes during the song. And that is very well possible in midi... Arnold -- visit http://www.arnoldarts.de/ --- Hi, I am a .signature virus. Please copy me into your ~/.signature and send me to all your contacts. After a month or so log in as root and do a rm / -rf. Or ask your administrator to do so...
Attachment:
pgp1Zh8oDWeWV.pgp
Description: PGP signature
_______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo.cgi/linux-audio-user