Christopher Arndt <chris@xxxxxxxxxxxxx> writes: > Am 20.02.23 um 18:21 schrieb Francesco Ariis: >> Very good track, celesta and organ sounds put in excellent use; few >> notes but filling the space. > Thanks for the appreciation. I forgot to mention that I used the > x42-whirl plugin Leslie emulation on the organ chords. You can get > some nice organ tones on the Reface DX by using the chorus and / or > flanger effects, but you wouldn't get that same stereo width you get > with the rotary effect. I actually have a Solton Turbojet where I did exchange the drivers, added deflectors of my own making, replaced the comparatively mediocre frequency crossover with something cooked from an old Peavey crossover with autotransformer as well as parts from the old crossover (where "parts" means the old inductivity holder as well as part of its wire)... Ok, it is not really factory issue. I also rebuilt the power supply of the preamp and put it off-board, made some changes to the ground rooting, replaced the opamps on the reverb unit with nicer ones, modified the gain structure inside of the preamp, added a mini-XLR socket for powering an electret condenser mic... I digress. What I was getting up to is that a rotary effect has one advantage over an actual rotary speaker: lack of motor noise. It also has the disadvantage of not being nearly as "spatial" in an actual venue since stereo speakers just cannot change their direction of projection as thoroughly regardless what signal you throw at them. But you'll have that problem with pretty much any recording, or even if a PA system gets involved. Only when the Leslie speaker is the main audience address system do you get the full effect. -- David Kastrup _______________________________________________ Linux-audio-user mailing list -- linux-audio-user@xxxxxxxxxxxxxxxxxxxx To unsubscribe send an email to linux-audio-user-leave@xxxxxxxxxxxxxxxxxxxx
