On Sat, May 21, 2016 at 08:32:45PM +0200, Jörn Nettingsmeier wrote: > I should clarify: I do like to use M/S matrixing to control the > width of a stereo image, and M/S is a godsend when you have to fix a > master after the fact. > But otherwise I think that M/S eqing and compression are a bit of a > fashion thing and highly overrated, unless the goal is for creative > _distortion_ of a stereo sum. I don't mean that in a judgmental > sense, only in the sense that anything you accomplish by MS > processing will be artificial, not "high-fidelity": Most music production isn't about fidelity to start with. M/S processing of a multitrack mix isn't that different from using EQ or dynamics on the same. Normally it shouldn't be necessary - you can achieve the same or a better result by adjusting the mix. But it may just be more convenient, as it can be for EQ or dynamics. Ciao, -- FA A world of exhaustive, reliable metadata would be an utopia. It's also a pipe-dream, founded on self-delusion, nerd hubris and hysterically inflated market opportunities. (Cory Doctorow) _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user