> Ideally, I'd like to be able to buy a delta 44 now (for financial > reasons), and then buy another, You can't sync two 44's, they will drift as you record. Also, the 1010 does the analog to digital conversion in the breakout box, while (contrary to what some believe) the 44 does not. It doesn't even have true balanced connections to the soundcard ("I've opened mine and looked, but counting the pins in the cable is enough to see this). For what it's worth, I love many things about my 44, but it is a son of a bitch to get the thing to work without the dreaded "xruns". I finally had success though, with jackd and Ardour, running with root privs. As for the Drum kit, I know it is desireable to record many channels of drum separately, but would it do to simply use say a Mackie 1402-VLZPro mixer to funnel the drum mics into two or three channels? You would have to get the mix right the first time, I know, but the 1402 would give you six very nice channels of mic pre, which should ease the budget problem. You also get phantom power, which you must not forget that you need to power any decent condensor mic. If you get in a pinch, you can pick up a pair of Marshall MXL2003's for a very reasonable price, and in my limited experience yield a natural bright sound that would be very tough to match for the same price. Anyway, go for the large diaphragm condensors. If it is to be a $20 mic, I recommend the radio shack 33-3017. I have a pair, and they don't compare well to the Marshall's, but they are also hard to match for the price. http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2544797054&category=41466