Hi Maxime, W dniu 18.08.2022 o 17:56, Geert Uytterhoeven pisze: > Hi Maxime, > > On Thu, Aug 18, 2022 at 5:46 PM Maxime Ripard <maxime@xxxxxxxxxx> wrote: >> On Thu, Aug 18, 2022 at 05:34:30PM +0200, Geert Uytterhoeven wrote: >>> On Thu, Aug 18, 2022 at 3:42 PM Maxime Ripard <maxime@xxxxxxxxxx> wrote: >>>> I started adding more sanity checks to my code, and I just realised I >>>> don't seem to be able to reach 720 pixels over a single line though. If >>>> I understood it properly, and according to [1] the active part of a line >>>> is supposed to be 51.95us, and the blanking period taking 12.05us. [2] >>>> in the timing section has pretty much the same numbers, so it looks >>>> sane. >>>> >>>> At 13.5Mhz, a pixel is going to take roughly 74ns, and 51950 / 74 = 702 >>>> pixels >>>> >>>> It seems we can go push it to 52350 ns, but that still gives us only 706 >>>> pixels. >>>> >>>> Similarly, if I just choose to ignore that limit and just take the >>>> active time I need, 720 * 74 = 53280ns >>>> >>>> That leaves us 10720ns for the blanking period, and that's not enough to >>>> fit even the minimum of the front porch, hsync and back porch (1.55 + >>>> 4.5 + 5.5 = 11.55us). >>>> >>>> Are those constraints merely recommendations, or am I missing something? >>> >>> You are missing that the parts near the borders of the full image are >>> part of the overscan range, and may or may not be visible, depending >>> on your actual display. >>> The full 768x576 image size from BT.656 is not visible on a typical PAL display, >>> and is more of an "absolute maximum rating", guaranteed to cover more >>> than analog PAL. >> >> So the overscan range is not part of the active area, unlike what HDMI >> is doing for example? > > Indeed. DVI-D and HDMI etc. are pure digital (let's ignore they are a > digitized variant of old analog VGA ;-), hence there is a one-to-one > match between pixels in the image and pixels on the screen (ignoring > scaling). But even when using an analog VGA input on a modern > digital display, you have controls to e.g. move the image. > >> Is there some minimal timings available somewhere to fit those absolute >> maximum ratings? > > I guess they can be found on the Internet... Here are some references that I personally found useful: - ITU-R BT.601 <https://www.itu.int/rec/R-REC-BT.601/en> This is *the* standard that pretty much every modern device that deals with analog-style TV signal follows then converting to and from the digital domain. For example in the figures on page 10 (12 in the PDF numbering) you can see that the "time datum", i.e. start of horizontal sync pulse is canonically supposed to happen on sample 732 for 50 Hz or sample 736 for 59.94 Hz modes. BT.601 assumes 13.5 MHz sample rate / pixel clock, but you can proportionally scale those for other pixel clocks. - ITU-R BT.1700 <https://www.itu.int/rec/R-REC-BT.1700/en> This is *the* standard in force for actual analog composite video signals. The vertical sync specs are discrete, so they don't really change between analog and digital domains. For horizontal sync, the values in those specs are given in microseconds/nanoseconds, but you can multiply those by the sampling rate for equivalent pixel counts. - Pembers' Ponderings <https://web.archive.org/web/20160423225838/http://www.pembers.freeserve.co.uk/> An old archived website with a ton of resources about analog TV. The "Line Standards" article will probably be most interesting to you. By the way, please note a couple of things: - The analog standards are very imprecise for modern digital norms, giving considerable leeway for just about every timing. The allowed leeways are usually equivalent to a couple of pixels at the standard 13.5 MHz sampling rate - and those are meant for the transmitting end. Receivers are usually much more forgiving to maximize compatibility. - The 720-pixel standard of BT.601 is considerably wider than the active width specified in the analog standards. AFAIK this is intentional, to ensure that no part of the actual image is missed during digitization, and to keep the number a nice multiply of 16. The picture width given in the analog standards is equivalent to somewhere between 702 and 714 pixels (at 13.5 MHz clock), depending on the specific standard. And that includes overscan. - Same goes for the vertical active area. Original analog standards varied wildly from country to country, before finally settling on 575 lines for the 50 Hz standard and 485 lines for the 59.94 Hz standard. Or 576/486, depending on how you count. The topmost line of those 576/486 starts at half the screen, and the bottommost line ends at half the screen - so they are often combined when counting and given as 575/485. The digital 576i50 standard includes those half-lines. In the 59.94 Hz regions, 480 active digial lines ended up the norm, because 486 does not have nice dividers, and also some of the outermost lines which were always overscanned anyway, ended up used for things like closed captioning over the years. - Speaking of closed captioning... a lot of different stuff were put in the blanking interval over the years. Like teletext in Europe. There are projects like VBIT2 <https://github.com/peterkvt80/vbit2> which intentionally reconfigure the Raspberry Pi composite output to include the blanking interval in the framebuffer so that teletext can be output by drawing on the edge of the "screen" (from the computer point of view). - A lot of equipment outside the broadcast industry willingly violated those standards, and there are real world use cases for that. Film studios used very slightly modified TVs to make them sync with 24fps cameras - in that variant, "NTSC" could have e.g. 655 lines so that the TV would refresh at 48 Hz with the same line frequency. Home computers and video game consoles output progressive 262/312-line modes instead of interlaced 525/625 lines. And often changed the line frequency slightly as well, for various reasons. Those progressive modes are still favored by retro gaming and emulation enthusiasts, because they incur a specific look on CRT displays. Even playing back video from a tape (especially home-grade, like VHS) could cause timings to go wildly out of spec, because of mechanical imprecisions. - There were multitude of standards predating the ubiquitous 525/60 and 625/50 modes. The British 405-line and French 819-line standards are the most notorious, having lasted well into the 1980s, but there were also a lot of wildly varying pre-WW2 television systems. And there are enthusiasts dedicated to preserving those. My point is that the norms for analog TV are rather loose, and I think we shouldn't limit the drivers to only accepting the "proper" modes as defined in the spec. Those should of course be the default, but if non-standard modelines can be generated - there are legitimate use cases why people might want those. > > Gr{oetje,eeting}s, > > Geert > > -- > Geert Uytterhoeven -- There's lots of Linux beyond ia32 -- geert@xxxxxxxxxxxxxx > > In personal conversations with technical people, I call myself a hacker. But > when I'm talking to journalists I just say "programmer" or something like that. > -- Linus Torvalds Best regards, Mateusz Kwiatkowski
