Thanks for responding Thomas,
my system starts with a compand function to iron out the devastating
differences in audio levels on our sources.
This is followed by a mcompand 5 band process which has a low end
rolloff, a voice presence tweak, and a gentle high end caress to
mitigate hiss and sibilance.
The source audio will have 20 level and eq variances in 20 minutes.
With some patience and experimentation I have something that functions
OK and delivers acceptable audio which is an improvement on the source.
On 19/04/21 6:50 am, Dr. Thomas Tensi wrote:
Hello Robert,
sorry for the late answer, hope this helps nevertheless!
> I spent a very long time trying to get the multi band processor shown
> in man sox to work.
> It seems the manual is older then the code which has changed.
Hmm. I am in currently rewriting some of the SoX code for (open-source)
SoX-VST-Plugins for DAWs (with bit-exact identical behaviour to the
command-line version) and as far as I can tell, the compand and mcompand
parameters work as described in the manual.
compand will do some things that don't work in mcompand. The manual
implies that the parameters are identical.
mcompand has to have a global compand type item at the end. This is not
clearly explained. I have played with this and arrived at something that
works for me.
"0,2.0 -38,-38,-28,-28,-6,-28" gain 3 highpass 22 highpass 22 sinc -n
255 -b 16 -12000
The reason for this is not clear in the documentation. the gain highpass
and sync all make sense.
> I needed a processor that would take audio from various not so great
> sources, adjust the dynamic range to suit a talk radio stream, and try
> and correct the frequency balance. One source consistently has poor
> room acoustics. Another has levels that vary wildly and a range of
> audio frequency bandwidths.
>
> compand works as advertised. Perhaps not that clearly.
> mcompand does not work as implied. It does some of what mcompand does
> but not all.
I find the transfer function definition in SoX a little bit weird, but
it is extremely flexible. You do not define some compression ratio or
some compression threshold directly, but define base points of that
function.
Your functions look okay, but you could consider rounding off the
corners of the transfer function by adding a knee value of e.g. 4dB.
I copied someone else's and then modified. It came without knee.
I have added the knee and it certainly smooths the transitions.
Thanks for that.
> I would encourage comments suggestions and improvements.
What you could do is factor out the common parameters and just put in
the changed values instead; you already did that in part, but putting
this further would make your script more modular.
At the prototype stage it was easier for me to keep each band seperate.
I found that to much difference between band parameters caused phase
issues. It works best when each band is processed more or less the same
and the outputs are combined in the desired ratio. I roll off the low
end. Allow voice frequencies
As far as I can see, your transfer functions, gain and initial volumes
are very similar for all of the bands, hence the modular approach could
be helpful. The crossover frequencies look okay for me.
I have adjusted the crossover frequencies 'by ear' to use the filter
slope to best advantage.
I find your release times of 1.2s or even 2.0 quite extreme, but if they
work for your sound material, that's fine.
The audio sourced from three different TV channels, typically comes
crashing in at high level. 20db above the average level. Either a device
or an operator cranks it down. Given the consistency it's a device. To
even things out a fast attack and a slow release works. The noise floor
[ hum hiss air condx passing traffic etc ] is about -32. Long release
prevents the noise being sucked up. I am dealing with speech. Sources
run from reverberant studios to less than ideal remote locations. Camera
operators have the high pass filter useful for lapel mic's in circuit
when the reporter is using a hand held ENG mic. Automatic level
controllers [that don't] at venues used for Press Conferences or to
deliver speeches defeat everything in the subsequent path.
I have been able to get a consistent clear result. Today there was a vox
pop segment recorded at a bus station with several diesel buses running
in the background. The processed version was better then the original
broadcast audio.
The 'processor' can be run in a shell script that is invoked when an
operator edits the source audio and sends it 'to be carted'. Our low
budget LPFM can't afford the $7k processor, which I am not so sure could
be tuned as sweetly as this.
I have a set of processors, one for each of our sources. The goal is to
deliver a consistent sound to our listener but not have the processing
so heavy as to be tiresome.
mcompand has enabled me to build a virtual device which achieves this.
I am really appreciative of all the work done in sox and associated code
by a legion of people.
I wish I had the skill to be able to read the source code and perhaps
write manuals.
Thanks again Thomas for your input.
Hope this helps!
Best regards,
Thomas
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