Andy,Thank you for taking the time to answer. The leads (websites/artists) you gave are excellent.
Your work with the figure is the most evocative to me. I did like the stop motion of liquids, as that subject matter was something I used in discussing the history of photography.
Retirement did not stop your teaching, sharing and giving.
Thanks again. Belinda
Message: 10Date: Tue, 27 Nov 2018 03:37:46 +0000From: Andrew Davidhazy <andpph@xxxxxxx>To: PhotoForum educational network <photoforum@xxxxxxxxxxxxx>Subject: Re: Three new gallery listings - double take photographMessage-ID: <7321535A-2980-4B77-9FEA-9D1143904F86@xxxxxxx>Content-Type: text/plain; charset="utf-8"Belinda, you ask "Did you ever do that to flowers, or landscapes?? ? the answer is yes though I never paid much attention to flowers and vegetables, etc. There are others who did these very well. Bryan Mumford (https://www.bmumford.com/photo/streak/index.html) and Andy Johnson-Laird (http://www.bruisedpixels.com/galleries.html) to name a couple. Also William Roger Peterson of Burning Man fame (https://burningman.org/network/about-us/people/founders/#WillRogerPeterson) when he did his MFA Thesis and I was his advisor. I ?focused? mostly on industrial applications and peripheral photography of people and human heads. Especially at the Photo Expo?s that were held in NYC. Alsoinstead of turning the subject I turned the camera to do panoramic photography. These days the digital approach has refined the process and is often called slit scan photography. Whether of rotating objects, or cameras or longitudinal scanning of still or moving subjects.A ?luminary? in this area is a person named (appropriately) Adam Magyar (http://www.magyaradam.com/ ? look under urban flow)Not restricted to only indoors. For landscapes ? panoramic photography?Cheers,Andy Andrew Davidhazy - double take
The work you have done in this vein has always intrigued me for a variety of reasons. One, to see the world in an unexpected way is always a pleasure Two, for expanding the photographic technical vocabulary in an artistic direction and three, I just love what it does to the figure. Did you ever do that to flowers, or landscapes? Was this restricted to indoors only?
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