As noted earlier, it is never good enough. The car front is there to show how I might have arrived (which in this case is true) and the window is cut off because a brickmason in 1842 did not know Mamiya would make a 6x7 format camera which would not be the same proportion as his bosses planned layout. The snow was there to cause trouble with footing, and the shovel was there to remind myself of Marcel Duchamps or other dadaist who made apiece or snow shovel art titled ‘In Advance of a Broken Arm’. You can look it up. To be honest Andrew, you’re so passive aggressive about every comment that I no longer give a flying f**** about anything you say. But maybe I should be more considerate, as you are not wearing your BD Coleman mask. On Sep 28, 2014, at 12:48 PM, Michael Hughes <michaelhughes7a@xxxxxxx> wrote: Thank you Andrew for your thoughtful and constructive comments. The kind of thing that I joined PF to see, either about my contributions or other people's work. Michael in Norwich. Art Faul The Artist Formerly Known as Prints ------ Art for Cars: art4carz.com Stills That Move: http://www.artfaul.com Greens: http://www.inkjetprince.com Camera Works - The Washington Post . |
