tx transformator
tx-transform, a film technique that was presented at the Diagonale festival in 1999, has been developed further. This time a team consisting of Martin Reinhart and Virgil Widrich is presenting the tx-transformator. This automat, based on the theory of relativity, allows viewers for the first time to modify their perception of the familiar relation between space and time by experiencing time in a transverse flow to their spatial movements. Thereby, an interactive and astonishing new perception is made possible in real time. Hence, the regular sequence of motion is turned upside down: visitors, who keep staying at the same location, are being stretched, abrupt movements are compressed. Limbs are moving away from bodies, heads get unwinded. Behind the tx-transformator's plain design, developed in the former German Democratic Republic (by Robotron 1983), not only a sophisticated technology is hidden, but also an intriguingly simple idea, which can be explored by means of a short video.
The same effect could also be accomplished just by using a slit Scan camera. Sure conceptually whatever great. Why one would do this as an animated Gif vs just do it in a video editor where time is controllable and techically is the same exact process but with proper tools is beyond me. Its not like using a diana or a holga for its flaws. You are getting the same exact result.
"Fong Qi Wei has transformed his photo series Time is a Dimension into the GIF art series Time in Motion:
"The idea for Time In Motion came to Qi Wei while working on its predecessor, and has taken about four months to put together. For the original series, Qi Wei shot at the same location for between two to four hours, usually at sunset to catch the most dynamic and glorious lighting. The challenge then was to slice up an image in an interesting way, then to find ways of using the best moments in a given shard and arrange them into a coherent overall image. In this [new GIF series], the same balance was necessary, but has to be sustained across each frame."See it at Andrew Sullivan's blog: