Σχετ: Shock Value as raison d'etre

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and doing it wrong in the process.
Someone should have told her that what she is showing is Terminal and not internal ballistics.
 
Considering that I.B. is what happens in the barrel etc, it would be a feat for history to write managing photographing that
 
 


Στις 5:13 μ.μ. Δευτέρα, 10 Φεβρουαρίου 2014, ο/η Jan Faul <jan@xxxxxxxxxxx> έγραψε:

Itʼs about getting peopleʼs attention.

On Feb 10, 2014, at 9:22 AM, John Palcewski wrote:

Wall space gallery in Santa Barbara opens with a two-person exhibition on the discomfiting beauty of morally fraught objects:  bullets.  Deborah Bay exhibits her series entitled "The Big Bang," which examines, she says, violence and energy.  "In a multi-layered visual exploration of how bullets shatter bone and muscle, Bay utilized Plexiglass to clarify impact patterns. Bay's photographs simultaneously invite the viewer to detach from the human meaning of projectiles and to contemplate a willful ignorance of violence."
"In Sabine Pearlman's photos, the viewer is compelled to admire the craftsmanship of objects whose raison d'etre is obliteration."
wall space - santa barbara
116 e yanonali street c-1
santa barbara, california 93101
p: 805.637.3898
Tuesday - Saturday 11am to 5pm
Sunday Noon to 5pm
all others by appointment
See more here:


Art Faul

The Artist Formerly Known as Prints
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Art for Cars: art4carz.com
Stills That Move: http://www.artfaul.com/
Camera Works - The Washington Post

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