Thank you
On Jan 4, 2014 4:03 PM, "Trevor Cunningham" <trevor@xxxxxxxxxxxxxxxx> wrote:
Gregory david Stempel - Street Lamps
I love it. It's a perfect blend of contradiction. My pic of the gallery.
Bob McCulloch - Boats
Well seen, well arranged, well exposed. I like the errant ripple effect in the water.
Dan Mitchell - Android
Not enough people in the shot to make it the horror it is.
Tina Manley - Children with Pig, 2002
Reminds me of a trip to the island of Sumba. Too bad the pig is cut off...or, that just might mean dinner :)
John Palcewski - Hand
I love it. But I've been so infected by these diatribes of digital capture ruining photography that I might not be allowed to respect it.
Yoram Gelman - Veranda in Decay
Nice range of tones, but I end at that. The trees are all the decay I can see...maybe that's the point?
Christopher Strevens - The way.
Flip the title with the details and you have a haunting photo essay.
Art Faul -
Perfect capture, and I would expect nothing less. But, I do beg the question, what's the context? Again, spectacular control of light, sensational color balance...there's even lines to show how close to perfect the capture is...but it's completely empty unless I frequent that station. Your film effort is commendable in this age, but lost with a bargain-basement gradient background that fails to follow the light angle of a wastefully careful drop shadow. And why not just use Comic Sans?
Randy Little -
Very cool! This could even pass as modern. But, I'm confused...did your uncle produce this, or was he the daredevil? What happened to Mervin?
