My great uncles are the ones in the plane. I wouldn't put it past them the 5 that one of them is the photographer. They where all engineers. Their Father John A Drake produced one of the first extruded metal engine valves which is how the family got into Racing to begin with. Miller used Drake parts in the original Miller engine that became known as the Offy.
On Sat, Jan 4, 2014 at 4:06 PM, Trevor Cunningham <trevor@xxxxxxxxxxxxxxxx> wrote:
Gregory david Stempel - Street LampsI love it. It's a perfect blend of contradiction. My pic of the gallery.
Bob McCulloch - Boats
Well seen, well arranged, well exposed. I like the errant ripple effect in the water.
Dan Mitchell - Android
Not enough people in the shot to make it the horror it is.Reminds me of a trip to the island of Sumba. Too bad the pig is cut off...or, that just might mean dinner :)
Tina Manley - Children with Pig, 2002
John Palcewski - Hand
I love it. But I've been so infected by these diatribes of digital capture ruining photography that I might not be allowed to respect it.Nice range of tones, but I end at that. The trees are all the decay I can see...maybe that's the point?
Yoram Gelman - Veranda in DecayFlip the title with the details and you have a haunting photo essay.
Christopher Strevens - The way.
Art Faul -
Perfect capture, and I would expect nothing less. But, I do beg the question, what's the context? Again, spectacular control of light, sensational color balance...there's even lines to show how close to perfect the capture is...but it's completely empty unless I frequent that station. Your film effort is commendable in this age, but lost with a bargain-basement gradient background that fails to follow the light angle of a wastefully careful drop shadow. And why not just use Comic Sans?
Randy Little -
Very cool! This could even pass as modern. But, I'm confused...did your uncle produce this, or was he the daredevil? What happened to Mervin?
