On Sun, 01 Feb 2015 23:40:45 -0600
Brent Busby <brent@xxxxxxxxxxxxx> wrote:
> Of course, in the old analog tape world, they used to shoot for zero,
> maybe a little hotter if you wanted some saturation. In digital, they
> say mix to about -3 or -4db. And mastering houses seem to want more
> headroom than that (-6 or 7db), even though in priciple, with 24-bit
> resolution, they could just adjust it themselves without changing it
> timbrally (true?). Why do they care what your maximum level is as long
> as it's 24-bit and it's not clipping?
A side note:
Check the type of meter Ardour uses for the master channel. I wondered
why my Ardour masters always seemed quiet, then realized that the master
bus used a different meter type (K20? I can't remember) than all the other
tracks. When I changed to the same meter type (Peak, I think) I saw that I was
actually mixing to a lower value than I thought.
--
======================================================================
Joe Hartley - UNIX/network Consultant - jh@xxxxxxxxxxxx
Without deviation from the norm, "progress" is not possible. - FZappa
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