Re: Jack transport - was - Ardour/Muse Jack tempo lock

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On Wed, 13 Aug 2014, Fons Adriaensen wrote:

On Wed, Aug 13, 2014 at 12:08:51AM -0400, Tim E. Real wrote:
Those that have local RECORD ARM enabled will record when started,
 provided global record ENABLE is on.

That assumes that all apps have per-track record enables. A simple
stereo recorder/player won't have them.

Anyway, to set up recording you'd have to access the local user
interface of that app, so having to enable record there is no big
deal. To me it also feels safer.

To be honest, the reason I thought it would be nice is because I was looking at an app with no MIDI control in, but does have jack transport control. I was thinking that a master record enable was the one thing that traditional tape transports control clusters had that was missing. Of course just because it is traditional is not a great case for including it. On a tape machine all the controls are clustered for other reasons and the record arm sometimes does have more space around it or is sunken or has ridges on its sides.

Having said that, most control surfaces that include a transport section and for that matter, most sw that has a transport section laid out in the gui, has the record enable included in that group. So it is a tradition that is still in common use. What would be called a defacto standard or a standard by tradition. Again I don't know if it is a good standard or not but that is where the hand of a recording machine operator will look for the record button.

The next question is if a control surface should directly control jack transport. I think the answer is that enough people think is should that there are a number of standalone jack transport controlers around. Really the only thing missing is the record functionallity to be complete. Nudging and shuttling are already easy to do... I suppose scrubbing, or playing back at non-standard speed is not there, but I am not sure how that would be done and for now at least, this is not a universal thing that SW does, so most apps would ignore it anyway. A state that says make noise even if we are not in play, but we move the transport?

The whole thing comes down to sync and the purpose behind it. This is much more common in Linux than other places because we can. The purpose is to take a number of applications and perhaps physical playback/record devices and to use them all as if they were one machine. From that POV, a single transport control makes sense. From that POV, using one control surface for more than one application/device also makes sense. I would suggest, however, that this practice is becoming less common as applications add more functions and become more "all in one". It seems that audio recorders now edit MIDI (and have instrument plugins) and MIDI editors record and playback sound. Even video can be included. When I first started doing music on computers, recording audio on a computer was just a dream. MIDI was no problem (if you stayed away from windows) and so audio was recorded on a tape machine and the computer sequencer followed the timecode stripped on track 8 (permanently set to record at -10db for this purpose). Sync was the only way to get enough tracks for many things. Not any more.

Just to be complete... I have looked at OSC. OSC is very flexable. However, that flexability seems to be it's problem too. There is no way to create a generic control surface with /softwarename/track1/gain and then go "bank up/right" and have the mapping change to /softwarename/track9/gain within the software... no standards for this. To be fair, there was not in MIDI either till people started making control surfaces and the software had to deal with whatever they put out and that became the standard (The mackie control protcol for example). However, as a contol surface manufacture, why would I make an OSC product? What market share would that gain me? Really, in order to even create a middleware converter from MIDI controller to OSC would be a pain. I would have to do all the banking in that middleware. I would have to know all the strip names (takeing non-mixer as an example "/strip/stripname/pluginname/paramname param") and map them to a number... or name them in an unituitive manner in the first place. Ardour uses something totally different "/apname/route/function tracknumber param". The ardour method at least could be banked reliably. I suppose a patch bay kind of middleware that showed controler outputs and SW inputs for control could work, but it seems poor to have a user patch what would be normal routing for each project. OSC has a way to go, IMO, it is not ready to use with control surfaces.



--
Len Ovens
www.ovenwerks.net

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