Dear Julien,
Thanks for your kind words.
Well spotted on the 'breathing' at around 0:56 and on is _very_ similar
to the one used in The world will note (it's the same Pd path),
undoubtedly the two have quite a bit to share I guess in terms of
atmosphere and imaginary.
The fact you say it was an experience for me is very flattering :) - in
fact regarding the definition of 'music' or not, I have decided to
address my acousmatic works as sonic experiences and - hopefully - craft
them accordingly. Essentially I am interested in developing the
intention/idea of 'music' to widen its breadth to a 'sonic experience'
which tries to be at the same time 'entertaining' (although the term is
somewhat misleading towards something light) and at the same time
thought-provoking. As a consequence, yes, you wouldn't probably listen
to this as background music (noise? auditory filler?).
Lorenzo.
On 17/11/2013 23:25, Julien Claassen wrote:
Hello Lorenzo!
Don't I discover one sound, that I've heard before? The vocodic
breathing near the beginning? I've heard that before, but I'm not sure,
if that wasone of your pieces as well or not.
This is more atmosphere and cinema in my ears than music. But for all
that, I like it. There is the disturbing note, that machines usually
inspire. In a matter of images it reaches from old steam to the most
modern inexplicable in my mind. A few effects remind me of 70s robots,
I'm thinking of Marvin the paranoid android, both in the 70s English
original and the 80s-90s German translation.
Definitely not something I would listen to, while doing anything else
or just for a fun five minutes. But I think, it is something, to which I
will return. Explore your landscape further, penetrate into the hidden
cravesses and electronic sadows.
Thanks for sharing this piece. It has been an experience.
Warm regards
Julien
----------------------------------------
Music, creative writing, technical information:
http://juliencoder.de/
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