Wow, I wasn't expecting this to
continue. Here's my reply to another member regarding:
On 2/18/2013 9:22 PM, Rustom Mody wrote: So explain how Western peoples feel sad in minor keys {Stephen}: The Ancient Greeks did not have major keys nor minor keys. The 'modes' used by the Medieval European monks were not the same as the original modes of the Ancient Greeks. A great deal was lost in the translation, or perhaps it was due to fragmentary sources. According to Aristides Quintilianus (thought to have lived sometime between 1 A.D. and 400 A.D.): Within the Hypolydian tonos (* = a quarter-tone ascent, c' is middle c) Lydian scale: e* f a b b* c' e' e*' Dorian scale: g a a* a# d' e' e*' f' a' Phrygian scale: g a a* a# d' e' e*' f' g' Iastian scale: e e* f a c' d' Mixolydian scale: e e* f g a a* a# e' Intense Lydian scale: e e* f a c' These are not the same scales as in Western music. I don't know Eastern music scales. Perhaps Eastern music is closer to the Ancient Greeks than is Western music. The 'melos' was made up of 3 parts: notes, rhythm, and lyrics. The war cant melos had it own rules for which notes, heavy syncopation, and violent lyrics were to be used. The sloth or laziness melos had a different set of rules, just like the lament melos, the religious melos, and the other mele (plural of melos). Thanks for the discussions, Stephen Stubbs Champaign, IL USA -- “Those who desire to give up freedom in order to gain security will not have, nor do they deserve, either one.” Benjamin Franklin (American Statesman, Scientist, Philosopher, Printer, Writer, and Inventor. 1706-1790) |
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