very well and I recall no wild assumptions and no lumping together.
Kinsella's position on IP is extremely clear and very well formulated. There
must be some misunderstanding there. In case you are interested, we can
connect by email and discuss this, but his approach is to look at property rights.
It applies to music very well.
On Tue, Feb 12, 2013 at 2:39 AM, Al Thompson <althompson58@xxxxxxxxx> wrote:
On 02/11/2013 10:02 AM, Louigi Verona wrote:I've read most of this book, and I think he makes some pretty radical
> I would advice this short book for all those interested in a copyright
> debate.
>
> http://mises.org/document/3582
>
> Although the book is called "Against IP", the first part gives a very
> thorough and fair overview
> of both sides. The arguments there are much deeper than the usual
> "artists will starve
> and we will have no music".
"assumptions" about things which are mostly irrelevant when dealing with
music. He seems to try to lump everything in with scientific
discoveries (boiling water to kill germs) or math functions (E=mc^2),
and comparisons to hard goods which may have limited quantities.
I'm going to read your writings and links on the subject so I can see
what your thoughts are on it.
--
---
My bands, CD projects, music, news, and pictures:
http://www.lateralforce.com
My blog, with commentary on a variety of things, including audio,
mixing, equipment, etc, is at:
http://audioandmore.wordpress.com
Staat heißt das kälteste aller kalten Ungeheuer. Kalt lügt es auch;
und diese Lüge kriecht aus seinem Munde: 'Ich, der Staat, bin das Volk.'
- [Friedrich Nietzsche]
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--
Louigi Verona
http://www.louigiverona.ru/
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