when people, when cultures build *objects* to signify things of importance to them (for whatever reason), it tends to follow that if you want to understand them, and thus to some extent, to understand yourself, some kind of appreciation for those objects is necessary. you need cultural heritage to help appreciate those objects, and paradoxically, those objects are part of the same cultural heritage that offers some chance of appreciation.
On Tue, Dec 18, 2012 at 5:59 AM, Neil C Smith <neil@xxxxxxxxxxxxxx> wrote:
On 18 December 2012 08:48, Lorenzo Sutton <lorenzofsutton@xxxxxxxxx> wrote:If only that was true. Ephemeral things are not that easy to
> Cultural heritage is going to pieces in many places due to the fact that in
> the current (bank-driven) ultra-utilitarian society where culture and
> humanities are considered 'ephemeral',
monetize. And cultural heritage is such a spurious notion anyway - it
is about objects (by which I include musical scores) devoid of
context, and rather too much like taxidermy. It's also rather a new
concept. A favourite quote of mine from an article by Simon Emmerson
-
"We should not forget that the phrase avant-garde was first used by
Henri de Saint-Simon in
France (1825) at almost exactly the same time as Mendelssohn's
inauguration of the museum
culture in western concert music with the revival of Bach's Matthew
Passion (1829) - the past
and the future at once, western civilisation's triumphal claim to
conquest over all time, let
alone all space."
Best wishes,
Neil
--
Neil C Smith
Artist : Technologist : Adviser
http://neilcsmith.net
Praxis LIVE - open-source, graphical environment for rapid development
of intermedia performance tools, projections and interactive spaces -
http://code.google.com/p/praxis
OpenEye - specialist web solutions for the cultural, education,
charitable and local government sectors - http://openeye.info
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