Salut Aurélien!This is an overwhelming album. It's not exactly my stle of music throughout. It's too weird, too avantgard for me. But there are a few pieces I like very much, Your Soul - already known partly, due to your live video posted I don't remember when, and Sabra Y Shatila. Yeah, I'm a sucker for the sax. :-) While listening to it, I thought something like: John Petrucci's evil brother on some very illegal substance, consulting Stockhausen on producing a concept album. They invite the insane free-jazz sax player and let it all out. It sounds like a colossal effort, esepcially seeing, that you can perform all of this live. I liked it especially, when there was some melody in a more conventional sense or when the screaming/growling metal influences pushed through. The production is interesting and very characteristic. To begin with I wasn't a fan on the drum production, but now I start to get it. It's certainly so distinct, that I can pick it out from a mile away. :-) And it really does work. Partly the same ghoes for the electric guitars. It doesn't sound like the obvious solution and at first, I had the impression, tat it sounded muddy. But having listened to a few pieces now, it starts to grow on me. One question, of personal interest: how did you create the synth bass sound for Your Soul? The pumping, bubbling sound in the beginning. I was very attracted to it, already, when I heard it in the video. Thank you for sharing this album freely as well as releasing it commercially. And then at such high quality. OK, it took me almost 7 hours to download, but now I can enjoy it to the fullest extent. :-)
Warm regards Julien ---------------------------------------- http://juliencoder.de/nama/music.html
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