Hi Julien
Apologies for the delay in replying, I got sucked into cleaning an
analogue string machine so that it now works more-or-less properly. Then
I had to re-arrange my synths to make room for it.
Anyway, many thanks for listening, I'm glad you enjoyed it. I was aiming
for a bit of drama, so it seems like I've succeeded -- I just hope it
isn't so dramatic that it overshadows the two sections that it will be
bridging, but we'll see eventually.
Someone on the KVR forum described it as being a bit too grandiose and I
think he meant that as a negative. I took it as a complement anyway :-P :-)
I'm always of the opinion that little bits like winchimes, glockenspiel,
celested, sound effects and things like that add a lot to music when
used subtly. They just take a long time to get right, but it's worth it
in the end.
Thanks again for listening.
Q
Julien Claassen wrote:
Hello Quirq!
Well if you go on writing like this, just waisting lines of
diminishment, I might just plonk you. :-)
It's a lovely piece.I love the intensity of it, there's drama in there
(four stage theatrics perhaps :-) ). I love the dense composition of the
"sound cloud", complemented by the tinkly windchimes, harp and synth FX,
it makes a gorgeous whole.
Keep them coming the "insubstantial bits" and parts of ideas. I'm
waiting for them all to final fit into the bigger pictures. :-)
TTFN
Julien
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